Japanese Pottery in Tokyo

Yunomi Tea Cup for Green Tea Kissho shouchikubai Auspicious trees (Small)

Japanese Pottery in Tokyo — 2026-09-16T10:14:33+09:00

[size]
Width: 6.8 cm / Height: 7.7 cm
Width: 2.7 in / Height: 3 in

[Capacity]
250 ml
8.5 fl oz

This Arita ware teacup, “Kissh? Sh?chikubai (Small),” features the auspicious motifs of p ine, bamboo, and plum ? symbols of longevity, integrity, and resilience in Japanese tradition. The vivid red, blue, and green colors stand out gracefully aga inst the white porcela in, comb in ing elegance with warmth. Ideal for daily tea moments, enterta in ing guests, or as a thoughtful gift.

Teapot Kyusu Shikisai Kobana Usagi Rabbit

Japanese Pottery in Tokyo — 2026-09-15T11:27:50+09:00

[size]
Diameter: 10.5 cm / Width: 17 cm / Height: 8.8 cm
Diameter: 4.1 in / Width: 6.7 in / Height: 3.5 in

[Capacity]
270 ml
9.1 fl oz
With a inner tea strainer made by stainless steel

This Arita and Hasami ware kyusu teapot features delicate multicolored floral motifs scattered gracefully across smooth white porcelain. The small flowers in red, blue, and green create a warm and charming atmosphere with a gentle handmade feel. The lid is topped with an adorable little rabbit knob, adding a playful and heartwarming accent to the design. Its softly rounded shape fits comfortably in the hand, making everyday tea time feel calm and relaxing. Inside, a stainless steel tea strainer allows tea leaves to open fully for a rich and flavorful brew while remaining easy to use. With its compact 270ml size, this teapot is perfect for personal tea moments or serving a small number of guests, and also makes a delightful gift.

Iki Coffee Cup and Saucer by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-09-14T12:54:10+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in
Capacity: 250 ml

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware.
Named "Iki," this coffee cup and saucer features a glossy dark brown-black base layered with complex shades of white, blue-purple, and soft crimson, creating an original landscape reminiscent of an abstract painting.

Shinemon Kiln is renowned for its mastery of "Yohen," the art of transforming the colors and patterns of glazes through the unpredictable conditions inside the kiln. This piece was created by Kusuo Baba himself, the second-generation master of the kiln. The expressions produced by the temperature of the flames and the flowing and overlapping glazes are never exactly the same. Even within the bold colors spreading across the surface, subtle variations unique to Yohen can be discovered.

To calm the breath, enrich life, and appreciate "Iki."

This idea lies at the heart of the work. "Iki" is a distinctly Japanese aesthetic concept associated with refined, understated sophistication. Although the piece is visually striking, it also possesses a sense of composure and elegance. Vivid blue-purple and crimson emerge from the deep brown-black surface alongside areas of white porcelain, each color enhancing the others and revealing different expressions depending on the viewing angle. Stripped of anything unnecessary, the piece allows the beauty of the glaze itself to take center stage. By embracing the unpredictable transformations that occur within the kiln and turning them into one-of-a-kind beauty, "Iki" embodies the distinctive artistic sensibility of Shinemon Kiln.

Created by an artist with exceptional mastery of glaze expression, this coffee cup and saucer has a remarkable presence. Pourin your favorite coffee, take a quiet moment for yourself, and enjoy the rich colors and ever-changing landscape of Yohen across the surface.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Yume | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-09-14T12:50:53+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Yume” (Dream), it features a glaze of deep black-brown overlaid with red, expressing both passion and hope.

Shinemon Kiln is renowned as a leader in the yohen technique, which requires exceptional mastery in handling glazes. This piece was personally created by the current head of the kiln, Kusuo Baba. Yohen refers to the transformative phenomena that occur inside the kiln, where the colors and patterns of the glaze change unpredictably, revealing the beauty and mystery of nature.

The glaze used here, named Yume (Dream), explores subtle variations of color, shade, and luster, resulting in diverse kiln-transformed patterns. Brought to life by an artist who skillfully draws out the full expressive potential of glaze, this coffee cup and saucer radiates elegance. Each time it is held, new and unique scenery emerges, making every use a special experience. With each cup of coffee, one can savor not only the drink but also the ever-changing beauty of the vessel itself.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Tea Bowl Yuteki-Tenmoku | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-09-14T12:50:32+09:00

[size]
Width: 12.5 cm / Height: 6.7 cm
Width: 4.9 in / Height: 2.6 in

-----------------------
This is a work by the predecessor and first-generation master of Shinemon Kiln, Shinichiro Baba (posthumously Shinemon), one of the representative kilns of Arita ware.
As one of the late potter’s posthumous works, this piece had long lain dormant in storage and has only now, after the passage of time, come to light. It represents the culmination of the artist’s mastery and unique aesthetic sensibility, embodying the pinnacle of his artistic journey.

Shinemon Kiln is renowned as a leader in the yohen technique, which requires exceptional skill in manipulating glazes. This work was personally created by the kiln’s first-generation master, Shinichiro Baba. Yohen refers to the transformations that occur within the kiln, where glaze colors and patterns change in unpredictable ways, revealing natural beauty and mystery.

in this piece, the glaze used is Yuteki Tenmoku (“oil-spot tenmoku”). Within the deep black glaze, countless silvery droplets appear, like stars twinkling in the night sky. These distinctive crystalline patterns are formed during the firing process of iron glazes, creating a metallic luster and unique visual depth. True to its name, the motifs resemble oil drops spreading across water?a natural art born from the interplay of chance and inevitability. The vessel reveals different expressions depending on the angle and the light.

adding to its refinement, the rim is adorned with high-purity gold decoration, lending a subdued yet distinguished brilliance. This delicate embellishment enhances the vessel’s overall presence, offer ing an elegant resonance each time it is held and admired.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinsai Sho-Chiku-Bai and Cranes Framed Porcelain Art by Kinryu Kiln

Japanese Pottery in Tokyo — 2026-09-14T12:50:16+09:00

[size]
Length: 33.3 cm / Width: 33.3 cm / Thickness: 2.3 cm
Length: 13.1 in / Width: 13.1 in / Thickness: 0.9 in
*Overall dimensions including the frame

-----------------------
This framed Arita porcelain artwork features gracefully flying cranes together with pine, bamboo, and plum blossoms, all intricately painted against a brilliant gold background. In Japanese culture, the crane is a traditional symbol of longevity, while the combination of pine, bamboo, and plum, known as "Sho-Chiku-Bai," has long been cherished as an auspicious motif. Pine represents longevity and endurance, bamboo symbolizes vitality and resilience, and plum blossoms represent nobility and perseverance. Together, these auspicious symbols are beautifully brought together on a single porcelain panel.

The vivid colors, radiant gold decoration, and exceptionally detailed painting create a rich and magnificent composition with a commanding presence.

The beautifully decorated Arita porcelain panel is presented within a frame, allowing it to be displayed on a wall like a painting. Combining the artistry of traditional Japanese porcelain with the elegance of framed art, this is a distinguished decorative piece that brings both refinement and auspicious symbolism to an interior.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Ryokuei | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-09-03T17:42:26+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Ryokuei” (Green Shadow), it features a striking contrast of black, white, and emerald green, creating a profound sense of depth that draws the viewer in.

Shinemon Kiln is renowned as a pioneer of the yohen technique, which requires masterful control of glazes. This piece was personally crafted by the current head, Kusuo Baba. Yohen refers to the transformative phenomena that occur within the kiln, where the glaze’s colors and patterns change unpredictably, revealing the beauty and mystery of nature.

The glaze used here, named Ryokuei, is distinguished by its glowing emerald green emerging amidst gradations of light and dark. With its layered composition of colors, it offers shifting impressions each time it is viewed or used.

Created by an artist who skillfully brings out the fullest expression of glaze, this elegant coffee cup and saucer exude refinement. Each time it is held, a different landscape appears, making every moment of use a special experience. Enjoy the quiet luxury of savoring a cup of coffee while admiring the vessel’s ever-changing beauty.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinsai Sakura Decorative Plate - 24.5 cm by Kinryu Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 24.5 cm / Height: 3.7 cm
Width: 9.6 in / Height: 1.5 in

-----------------------
This Arita ware decorative plate features cherry blossoms in full bloom, brilliantly enhanced with luxurious gold decoration. Delicate cherry blossoms cover the branches in abundance, while individual petals appear to drift gracefully through the air. The generous use of gold across the background creates a magnificent and radiant portrayal of spring.

Cherry blossoms have long been cherished as one of the most iconic symbols of Japan. Their arrival marks the beginning of spring, and they are also associated with new beginnings and prosperity, making them an auspicious and deeply meaningful motif.

With a diameter of 24.5 cm, the plate is an ideal size for display. Its elegant combination of delicate cherry blossoms and radiant gold brings a refined and vibrant presence to both Japanese and Western-style interiors.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Seiryu - Azure Dragon Framed Porcelain Art by Kinryu Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Length: 33.3 cm / Width: 33.3 cm / Thickness: 2.3 cm
Length: 13.1 in / Width: 13.1 in / Thickness: 0.9 in
*Overall dimensions including the frame

-----------------------
This framed Arita porcelain artwork powerfully depicts an Azure Dragon rising toward the heavens against a background of wild, surging waves. The dragon is rendered primarily in deep indigo blue, layered with brilliant gold, purple, red, and other colors that bring remarkable depth and energy to the composition. Together with the dramatically curling waves, these rich colors create a dynamic scene filled with movement and power.

Known in Japanese as "Seiryu," the Azure Dragon has long held an important place in East Asian tradition. The dragon itself is revered as an auspicious symbol associated with strength, prosperity, good fortune, and rising success. Its powerful upward movement in this composition further enhances the sense of energy and aspiration expressed by the work.

The dramatic design is painted on an Arita porcelain panel and presented within a frame, allowing it to be displayed on a wall like a painting. With its bold imagery and commanding presence, this is a striking work of porcelain art that brings a sense of strength and vitality to any interior.

[ Artist Profile ]
Ichidai Nakamura (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinsai Sakura Kacho Framed Porcelain Art by Kinryu Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Length: 33.3 cm / Width: 33.3 cm / Thickness: 2.3 cm
Length: 13.1 in / Width: 13.1 in / Thickness: 0.9 in
*Overall dimensions including the frame

-----------------------
This framed Arita porcelain artwork features cherry blossoms in full bloom and a bird perched gracefully on a branch, delicately painted against a brilliant gold background. Layers of soft pink and white cherry blossoms spread across the composition, while the branches and bird painted in deep indigo blue provide a beautiful contrast and bring definition to the overall design. The splendor of the cherry blossoms, a beloved symbol of spring in Japan, combines with the radiant gold decoration to create a scene filled with the beauty and vitality of the season.

The intricate brushwork and carefully balanced colors demonstrate the refined craftsmanship of Kinryu Kiln. The combination of delicate blossoms, deep indigo details, and shimmering gold gives the work both elegance and a distinguished presence.

The beautifully decorated Arita porcelain panel is presented within a frame, allowing it to be displayed on a wall like a painting. Rich in the atmosphere of spring, this graceful and sophisticated work brings the beauty of Japanese porcelain art to any interior.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinsai Sakura and Bird Vase by Kinryu Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 16.5 cm / Height: 18 cm
Width: 6.5 in / Height: 7.1 in

-----------------------
A magnificent piece depicting the vibrant beauty of spring through cherry blossoms in full bloom and an auspicious blue bird. This exquisite art vase is richly decorated with blooming cherry blossoms and a blue bird, capturing the splendor of spring through exceptionally detailed brushwork. The brilliant gold background envelops the entire composition in a radiant glow, giving the piece an elegant presence reminiscent of a scene from a lavish traditional Japanese picture scroll.

The cherry blossoms are carefully painted with delicate variations in color and tone, while subtle shading in the bird's feathers gives it a remarkable sense of depth and vitality. These intricate details demonstrate the exceptional skill and artistic sensitivity of the craftsmen at Kinryu Kiln.

As the vase is viewed from different angles, the composition reveals changing expressions and a beautiful sense of dimension, adding to the visual richness of the work.

Cherry blossoms and auspicious birds are motifs associated with the joy and good fortune of spring in Japanese art. With its radiant gold decoration and refined painting, this vase makes an impressive work of art for display and an elegant choice for a special gift.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinsai Take-Suzume Slender-Neck Vase by Kinryu Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 17.4 cm / Height: 25 cm
Width: 6.9 in / Height: 9.8 in

-----------------------
This elegant crane-neck vase features vibrant bamboo and charming sparrows set against a brilliant background of gold decoration. Bamboo grows straight and strong and retains its green leaves even through winter. For this reason, it has long been cherished in Japan as an auspicious motif symbolizing vitality, resilience, and prosperity.

Deep green bamboo and indigo-toned leaves spread gracefully across the surface, while sparrows play among the branches, bringing a lively sense of movement to the scene.

The radiant gold decoration, delicate painting, and slender crane-neck form harmonize beautifully, creating a work that combines splendor with refined elegance.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Sometsuke Tako-Karakusa Small Jar by Ryuzumi Nakao

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 16.5 cm / Height: 19 cm
Width: 6.5 in / Height: 7.5 in

-----------------------
This small jar features an intricate Tako-Karakusa pattern painted entirely in deep indigo blue on a softly luminous white porcelain body. Fine curling motifs of varying sizes flow continuously across the entire surface, complementing the refined, rounded form of the vessel and creating a presence that is both delicate and richly expressive.

Karakusa, or arabesque, has long been cherished in Japan as an auspicious pattern symbolizing prosperity, longevity, and vitality. Its endlessly extending vines represent continuous growth and enduring life. Among the many variations of Karakusa, "Tako-Karakusa" is a traditional design characterized by densely repeated curling lines and spiral-like forms. The seemingly endless continuation of the pattern also conveys a wish for lasting prosperity.

The beautiful contrast of pure indigo blue and white, characteristic of traditional Sometsuke underglaze painting, combines with the extraordinarily detailed pattern to create a piece that rewards close appreciation from every angle.

[ Artist Profile ]
Ryuzumi Nakao
Full Member of the Japan Kogei Association / Member of the Saga Ceramic Art Association / Member of the Arita Ceramic Art Association

Ryuzumi Nakao is known for his exceptionally intricate patterns and designs, meticulously hand-painted across the entire surface of his works using a fine brush. His auspicious motifs are created through an extraordinarily painstaking process, with each individual element repeatedly painted by hand.

1953 - Born in Arita, Saga Prefecture
1974 - Studied wheel throwing under Manji Inoue, a Living National Treasure, at the Ceramic Research Institute
1976 - Studied painting under Mitsuta Ide
1998 - Became a Full Member of the Japan Kogei Association
2005 - Established Senryu Kiln

[ Major Awards and Exhibitions ]

1979 - First selected for the Kyushu-Yamaguchi Ceramics Exhibition
1979 - Received the Taku Mayor's Award at his first entry in the Saga Prefectural Art Exhibition
1981 - First selected for the Japan Traditional Kogei Exhibition
1981 - First selected for the Saga Art Association Exhibition

1987 - Selected for the Japan Traditional Kogei Exhibition
1987 - Received the Fukuoka Mayor's Award at the Western Japan Kogei Exhibition
1987 - Received an Encouragement Award at the West Japan Ceramic Art Exhibition
1987 - Received the Governor's Award at the Saga Art Association Exhibition

1988 - Received an Honorable Mention at the Saga Art Association Exhibition
1989 - Selected for the Issuikai Exhibition for the seventh time
1997 - Received the Saga Prefecture Federation of Chambers of Commerce and Industry Award at the Kyushu-Yamaguchi Ceramics Exhibition
2004 - Selected for the Japan Traditional Kogei Exhibition

ARITA LUXURY | View the Finest Arita Ware Collection >

Somenishiki Small Flower Pattern Small Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 13.6 cm / Height: 15 cm
Width: 5.4 in / Height: 5.9 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware. Set against a vivid indigo-blue ground, this Somenishiki small vase is richly decorated with delicate yellow and green flowers covering the entire surface. Countless blossoms are meticulously painted as though overlapping one another, gracefully enveloping the softly rounded form of the vessel. Each individual flower has been carefully rendered with fine, precise brushwork. The beautiful harmony of indigo blue, yellow, and green creates a lively and elegant composition, giving this compact piece a remarkable presence despite its small size.

The piece combines two traditional Arita ware painting techniques: "Sometsuke" underglaze painting and "Nishiki" overglaze enameling. This combination of techniques is known as "Somenishiki." Sometsuke is a technique in which designs are painted directly onto the bisque-fired porcelain body before glazing. Nishiki, by contrast, is an overglaze technique in which vivid colors such as red and green are added after the porcelain has been glazed and fired. Each technique presents its own challenges, and combining the two requires an exceptionally high level of technical skill, as well as a sophisticated sense of composition to bring the entire design together.

At 15 cm in height, this compact vase is also well suited as a special gift.

Despite its relatively small size, the piece brings together the finest techniques of wheel throwing, intricate painting, and firing, making it an outstanding example of Kinsai Fujii's artistry.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Somenishiki Small Flower Pattern Small Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 19.3 cm / Height: 15 cm
Width: 7.6 in / Height: 5.9 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware. Set against a deep indigo-blue ground, this Somenishiki vase is meticulously decorated with delicate yellow and green flowers covering the entire surface. Countless small blossoms are arranged closely together, richly adorning the distinctive rounded form that spreads gently outward. Each individual flower has been carefully painted with remarkably fine brushwork. Vivid yellow and green blossoms emerge rhythmically against the deep indigo background, creating a work that combines brilliant color with exceptional delicacy and detail.

The piece combines two traditional Arita ware painting techniques: "Sometsuke" underglaze painting and "Nishiki" overglaze enameling. This combination of techniques is known as "Somenishiki." Sometsuke is a technique in which designs are painted directly onto the bisque-fired porcelain body before glazing. Nishiki, by contrast, is an overglaze technique in which vivid colors such as red and green are added after the porcelain has been glazed and fired. Each technique presents its own challenges, and combining the two requires an exceptionally high level of technical skill, as well as a sophisticated sense of composition to bring the entire design together.

At 15 cm in height, this compact vase fits beautifully into contemporary living spaces. Its convenient size and elegant decoration also make it an excellent choice as a special gift.

Despite its relatively small size, this piece brings together the finest techniques of wheel throwing, intricate painting, and firing, making it an outstanding example of Kinsai Fujii's artistry.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Somenishiki Chrysanthemum Small Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 17 cm / Height: 14.5 cm
Width: 6.7 in / Height: 5.7 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware. Set against a vivid blue-green background, this Somenishiki vase is richly decorated with colorful chrysanthemums and leaves covering the entire surface. Yellow and purple chrysanthemum blossoms emerge from between leaves painted in deep indigo blue, creating a composition filled with rich color and visual depth. The softly rounded form of the vase harmonizes beautifully with the dense floral decoration that spreads across its surface. With the pattern continuing around the vessel, the piece reveals a vibrant and elegant scene from every viewing angle.

The piece combines two traditional Arita ware painting techniques: "Sometsuke" underglaze painting and "Nishiki" overglaze enameling. This combination of techniques is known as "Somenishiki." Sometsuke is a technique in which designs are painted directly onto the bisque-fired porcelain body before glazing. Nishiki, by contrast, is an overglaze technique in which vivid colors such as red, yellow, green, and purple are added after the porcelain has been glazed and fired. Each technique presents its own challenges, and combining the two requires an exceptionally high level of technical skill, as well as a sophisticated sense of composition to bring the entire design together.

At 14.5 cm in height, this is a compact vase that is also well suited as a special gift. Despite its small size, it brings together the finest techniques of wheel throwing, intricate painting, and firing.

Rich in color and detail, this exceptional piece is a beautiful example of Kinsai Fujii's artistry and the decorative traditions of Arita ware.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Tetsu-yu Dragon Small Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 15 cm / Height: 17.7 cm
Width: 5.9 in / Height: 7 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware. This striking vase depicts a majestic dragon soaring through the sky. Traditionally associated with prosperity, wisdom, courage, and many other auspicious qualities, the dragon gives this compact piece a powerful and commanding presence despite its relatively small size.

The dragon is one of the most important symbols in Asian culture. Particularly in China and Japan, dragons have long been revered as sacred and powerful beings with a wide range of symbolic meanings. Above all, the dragon is associated with prosperity and good fortune. In Chinese culture in particular, dragons have traditionally been believed to bring wealth and success, and objects decorated with dragons have long been cherished as auspicious symbols. The dragon is also associated with wisdom and knowledge. In Chinese legends, dragons are often portrayed as wise beings possessing profound knowledge and are respected as sources of wisdom. At the same time, the dragon represents courage and boldness. Its strength to confront difficulties and overcome adversity has made it an enduring symbol of determination and bravery.

From a technical perspective, the dragon is boldly yet elegantly depicted in brilliant gold and platinum decoration against a deep black background created with "Tetsuyu," or iron glaze. The contrast between the dark glaze and the luminous metallic decoration gives the dragon a dramatic presence and emphasizes its powerful movement across the surface.

At 17.7 cm in height, this compact vase fits beautifully into contemporary living spaces while retaining a strong artistic presence. Its auspicious dragon motif also makes it an excellent choice as a special gift.

From wheel throwing and intricate painting to the final firing, this piece brings together the finest ceramic techniques in a single work and represents an outstanding example of Kinsai Fujii's artistry.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Shisai Sakura Small Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 14.7 cm / Height: 17.5 cm
Width: 5.8 in / Height: 6.9 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware. This beautiful small vase combines cherry blossoms, one of Japan's most iconic flowers, with the rich and lustrous purple overglaze colors characteristic of Arita ware. The delicately painted cherry blossoms are complemented by a traditional Seigaiha wave pattern in the background, creating an exceptionally elegant and auspicious impression.

The piece combines two traditional Arita ware painting techniques: "Sometsuke" underglaze painting and "Nishiki" overglaze enameling. Sometsuke is a technique in which designs are painted directly onto the bisque-fired porcelain body before glazing. Nishiki, by contrast, is an overglaze technique in which vivid colors such as red and green are added after the porcelain has already been glazed and fired. Each technique presents its own challenges, and combining the two requires an exceptionally high level of technical skill, as well as a sophisticated sense of composition to bring the entire design together.

At 17.5 cm in height, this is a compact vase that fits beautifully into contemporary living spaces. Its elegant size also makes it an excellent choice as a gift.

From wheel throwing and intricate painting to the final firing, this piece brings together the finest ceramic techniques in a single work and represents an outstanding example of Kinsai Fujii's artistry.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Sometsuke Tako-Karakusa Sansui Large Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 31.5 cm / Height: 33 cm
Width: 12.4 in / Height: 13 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware. This large spherical vase is decorated entirely in traditional blue-and-white Sometsuke, with majestic mountains, pine trees, and people standing near a small hermitage depicted in intricate detail. The Sansui landscape extends around the surface of the vessel and is boldly framed by elaborate Tako-Karakusa arabesque patterns, revealing a different scene as the vase is viewed from each angle. The delicate brushwork possible only through meticulous hand painting combines beautifully with the varying shades of Sometsuke blue to create a remarkable sense of depth. The result is a work that brings together the refinement of traditional design with a powerful and dignified presence.

The subject depicted here is "Sansui," a traditional landscape theme centered on natural scenery such as mountains, rivers, lakes, trees, and rocks. The human presence is generally understated. Even when people or buildings appear, they are depicted on a small scale within the vastness of nature. Sansui painting was strongly influenced by Chinese Taoism, Confucianism, and Zen Buddhism. These traditions share a deep respect for nature and an appreciation of harmony between human beings and the natural world. Reflecting these philosophical and spiritual ideas, Sansui landscapes express humanity's inner and spiritual pursuits through the depiction of nature. The theme is not limited to ceramics, but is also frequently found in traditional ink paintings and hanging scrolls, making it one of the classic subjects of East Asian traditional art.

From a technical perspective, this work is particularly noteworthy for its use of Sometsuke. In this technique, the design is painted directly onto the bisque-fired porcelain body before the glaze is applied. The distinctive flow and touch of the brush make it possible to express the Sansui landscape with exceptional delicacy and depth. Painting directly onto the porous bisque-fired surface is extremely demanding because the pigment is quickly absorbed into the porcelain body, leaving virtually no opportunity for correction. Each brushstroke must therefore be applied with confidence and precision.

The surrounding "Tako-Karakusa" pattern, literally meaning "octopus arabesque," is a traditional Japanese decorative motif characterized by densely curling vine-like lines. Covering such a large surface with this intricate pattern requires extraordinary patience and concentration.

Patience, concentration, technical skill, and a highly developed sense of composition all come together in this monumental work. At 33 cm in height and 31.5 cm in diameter, it is an impressive example of Kinsai Fujii's mastery of traditional Arita ware painting.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Ogon Gold Sakura Vase by Kinsai Fujii

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 17 cm / Height: 27 cm
Width: 6.7 in / Height: 10.6 in

-----------------------
This is a work by Kinsai Fujii, one of the leading artists in the world of Arita ware.
The beautiful contrast between cherry blossoms, one of Japan's most iconic flowers, and radiant gold gives this vase an exceptional presence. Delicately painted cherry blossoms harmonize with the distinctive golden surface, creating a composition that is both refined and striking. The pigments used for the gold decoration are particularly precious, contributing to the magnificent and luxurious character of this major work.

The piece combines two traditional Arita ware painting techniques: "Sometsuke" underglaze painting and "Nishiki" overglaze enameling.
Sometsuke is a technique in which designs are painted directly onto the bisque-fired porcelain body before glazing. Nishiki, by contrast, is an overglaze technique in which vivid colors such as red and green are added after the porcelain has already been glazed and fired. Each technique presents its own challenges, and combining the two requires an exceptionally high level of technical skill, as well as a sophisticated sense of composition to bring the entire design together.

Standing 27 cm high, this vase has an impressive presence. From wheel throwing and intricate painting to the final firing, it brings together the finest ceramic techniques in a single work and represents an outstanding example of Kinsai Fujii's artistry.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Wakaba no Koro Green Coffee Cup and Saucer by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in
Capacity: 250 ml

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware.
Named "Wakaba no Koro," meaning "The Season of Young Leaves," this coffee cup and saucer features a gentle blend of clear blue-green and milky white, creating a fresh and luminous landscape reminiscent of newly emerging leaves.

Shinemon Kiln is renowned for its mastery of "Yohen," the art of transforming the colors and patterns of glazes through the unpredictable conditions inside the kiln. This piece was created by Kusuo Baba himself, the second-generation master of the kiln. The expressions produced by the temperature of the flames and the flowing and overlapping glazes are never exactly the same. This beauty born from chance is one of the defining characteristics of Shinemon Kiln.

As spring gradually gives way to early summer, young leaves emerge all at once beneath the gentle sunlight. This fleeting moment, filled with the vitality of new life, seems to have been captured within the vessel. Pale blue-green, white, and subtle hints of yellow softly melt into one another across the surface. The glaze landscape spreading across the saucer also reveals natural variations in tone and delicate crystal-like patterns, offering different expressions depending on where and how it is viewed.
Bright and refreshing without ever becoming overwhelming, "Wakaba no Koro" possesses a gentle quality that brings a sense of calm. The miraculous transformations that occur within the kiln leave each piece with a landscape that is truly one of a kind.

Created by an artist with exceptional mastery of glaze expression, this elegant coffee cup and saucer combines freshness with quiet refinement. Pourin your favorite coffee and enjoy a peaceful moment surrounded by colors as refreshing as the season of young leaves.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Yume no Gensoka Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 16 cm / Height: 27.3 cm
Width: 6.3 in / Height: 10.7 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware.
A powerful work expressing the force of life rising from the depths. Brilliant trails of crimson emerge as though tearing through an abyss of jet black. They are traces of fire, capturing the moment when the extreme heat of the kiln melts the rigidity of stone and a new rhythm of life begins to emerge.

The vivid crimson and purple colors rising from the deep black glaze appear almost as though life itself were ascending out of darkness. These expressions, born through the action of fire, possess a strength and spontaneous beauty that could never be achieved through deliberate painting.

Created through the discipline of intense fire rather than controlled brushwork, this landscape conveys a powerful sense of vitality. At the same time, the profound black surrounding it brings an unwavering sense of spiritual stillness.

Far removed from conventional decorative beauty, this vase possesses an overwhelming presence. Even without flowers, it stands as a sculptural work of art that defines the space around it - a singular and commanding point of presence within its surroundings.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Sometsuke Daikoku Decorative Plate by First-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 26.8 cm / Height: 8.8 cm
Width: 10.6 in / Height: 3.5 in

-----------------------
This is a work by the late Shinichiro Baba, the first-generation Shinemon and founder of Shinemon Kiln, one of the leading kilns of Arita ware.
This Sometsuke piece has a distinctive form, with a tall raised foot supporting a broad, gently spreading body. Rather than a conventional decorative plate, its playful and unusual shape is reminiscent of an oversized sake cup.

At the center, Daikoku is freely depicted in traditional blue-and-white Sometsuke, holding a fishing rod and a large sea bream. Daikoku is one of Japan's Seven Gods of Good Fortune and has long been associated with abundant harvests, prosperity in business, wealth, and good fortune. The addition of the sea bream, or "tai," itself a traditional symbol of celebration and good fortune in Japan, makes the design especially auspicious.

This piece was created by Shinichiro Baba, the late first-generation Shinemon of Shinemon Kiln. Today, Shinemon Kiln is renowned as a master of glazes, particularly for its wide variety of Yohen kiln-transformed glazes. During the time of the first-generation master, however, the kiln also produced Sometsuke works such as this one. Compared with the style for which Shinemon Kiln is known today, such pieces are particularly unusual and offer a fascinating glimpse into the history and artistic development of the kiln.

It can be enjoyed as a decorative plate, while its distinctive tall foot also gives it a strong presence when displayed simply as a ceramic art object. This is a rare piece through which to appreciate the craftsmanship and artistic character of the first-generation Shinemon.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Taihi Tenmoku Handled Small Flower Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 11.5 cm / Height: 14 cm
Width: 4.5 in / Height: 5.5 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware. This compact flower vase can be used to arrange seasonal flowers and plants with a kenzan or similar flower holder. Even without flowers, its distinctive form and rich glaze make it an impressive ceramic art object for display.

"Taihi Tenmoku" is a traditional Tenmoku glaze whose origins can be traced to the Jizhou kilns of China's Song Dynasty. By layering multiple glazes and firing them together, complex shades of brown, golden brown, and black melt and blend across the surface, creating distinctive patterns reminiscent of tortoiseshell. The interaction of flame and glaze ensures that no two pieces develop exactly the same appearance, giving each work a unique depth and character.

The refined, angular body emphasizes clean, straight lines and is paired with a distinctive handle inspired by a traditional Japanese hand bucket, or "teoke." The rich glaze, shifting from deep brown to golden tones, gently softens the sharp geometric form and gives the piece a warm yet sophisticated presence.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Saiun Handled Small Flower Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 11.5 cm / Height: 14 cm
Width: 4.5 in / Height: 5.5 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware. This "Saiun" flower vase displays a dreamlike landscape of color, with shades of red, blue-purple, and pale blue overlapping like clouds.

"Saiun" refers to a natural phenomenon in which clouds become beautifully colored by sunlight. In Japan and East Asia, such colorful clouds have long been regarded as an auspicious sign. The brilliant colors of this piece therefore evoke associations with happiness and good fortune.

The straight, geometric body is combined with a distinctive handle inspired by a traditional Japanese hand bucket, or "teoke," creating a modern and highly individual form. Its compact size makes it ideal for arranging seasonal flowers and plants using a kenzan or similar flower holder. It can also be enjoyed simply as a ceramic art object without flowers.

Depending on the viewing angle and the way light falls across the surface, the glaze shifts in appearance from reddish-purple to blue, revealing the beautiful and ever-changing landscape of color created by the kiln.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinkamon Cylindrical Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:56+09:00

[size]
Width: 10.2 cm / Height: 22.8 cm
Width: 4 in / Height: 9 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware. Golden flowers blooming within the flames.

"Kinkamon" is characterized by golden crystals emerging across a deep reddish-brown surface. A specially formulated glaze containing a blend of various metals is fired at high temperatures, allowing golden-brown markings to appear spontaneously across the vessel.

Fine golden particles spread across the surface as though gently falling from above, while in places they gather into larger clusters of crystals. The resulting landscape evokes golden flowers blooming against the warm glow of an evening sky.

This piece is particularly striking for the contrast between its slender, refined cylindrical form, the warmth of its vermilion-red tones, and the brilliance of the golden crystals. As the viewing angle changes, the density and flow of the crystalline patterns reveal different expressions, allowing the viewer to appreciate a landscape created by the flames of the kiln. Rather than painting with gold, Kinkamon allows the glaze and fire themselves to bring "golden flowers" into bloom. Brilliant yet never overly decorative, this vase possesses a quiet and refined elegance.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Saimon Gourd-Shaped Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16 cm / Height: 27 cm
Width: 6.3 in / Height: 10.6 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware.
An eternal space that seems to contain the intensity of a raging fire. The traditional gourd form, long regarded as a symbol of mystery and harmony, becomes the vessel for Shinemon Kiln's intensely vivid crimson kiln transformations.

The body swells generously before narrowing at the waist, then expands once again as it rises toward the mouth, creating the graceful silhouette characteristic of a gourd. Its flowing curves seem to contain the fierce energy of blazing flames within an elegant boundary.

Against a deep and brilliant crimson ground, bands of kiln-transformed color with tones of black and purple flow repeatedly across the surface. These colors are created through the interaction of flame and glaze inside the kiln, producing an expression that can never be reproduced in exactly the same way. The resulting landscape seems to transcend passing time and changing trends, possessing a beauty that feels enduring and timeless.

In Japan, the gourd has long been regarded as an auspicious motif. Its expanding form and abundance of fruit have traditionally been associated with prosperity, flourishing descendants, and good health. In this work, that traditional form is united with the powerful and contemporary beauty of kiln transformation created by fire. Combining an ancient symbolic form with the unpredictable beauty of flame and glaze, this vase possesses a profound sense of permanence and presence, as though it were created to carry its beauty far into the future.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Oukamon Vase by Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 19.5 cm / Height: 18.5 cm
Width: 7.7 in / Height: 7.3 in

-----------------------
This is a work by Shinemon Kiln, one of the leading kilns of Arita ware. The tranquility of cherry blossoms at night. Countless blossoms seem to emerge and spread across the deep navy glaze, creating a serene and enchanting scene.

Against a dark blue-purple ground that seems to absorb the light, layers of pale reddish-purple crystals overlap, creating a dreamlike landscape as though cherry blossoms in full bloom had been captured beneath the night sky. Viewed up close, each individual crystal reveals its own unique expression. From a distance, the entire vessel begins to resemble a single magnificent cherry tree in full bloom.

"Oukamon" expresses the beauty of cherry blossoms, which have been cherished in Japan for centuries, not through painted decoration but through the interaction of glaze and fire. What emerges is not simply splendor, but also the fleeting beauty and tranquility found in the brief moment when cherry blossoms reach their fullest bloom.

The refined spherical form contrasts beautifully with the countless cherry blossom-like crystals created unpredictably within the kiln. This interplay gives the work a dignified sense of tension and presence. Evoking the arrival and joy of spring while quietly reflecting the Japanese sense of beauty, this vase captures the poetic atmosphere of cherry blossoms blooming beneath the night sky.

[About the Kiln | Shinemon Kiln]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Oukamon Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 18.5 cm / Height: 20.3 cm
Width: 7.3 in / Height: 8 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware. Cherry blossoms in full bloom beneath the night sky. Countless blossoms spread across the deep navy surface, as though covering the darkness entirely.

The pale reddish-purple crystals created by the flames of the kiln are each unique in shape. They overlap and gather across the surface, gradually enveloping the entire vessel. The resulting landscape combines the splendor of cherry blossoms blooming all at once beneath the moonlight with an almost mysterious sense of tranquility.

"Oukamon" does not depict cherry blossoms with painted decoration. Instead, the blossoms themselves emerge through the interaction of glaze and fire. It is an expression deeply rooted in the Japanese sense of beauty, allowing the forces of nature within the kiln to bring cherry blossoms to life. In this piece, the blossoms appear to be at the very height of their bloom, filling the entire field of vision. The generously rounded form of the vase and the densely clustered crystals resonate with one another, conveying the powerful energy of spring as life suddenly awakens.

After the long winter, spring returns once again. This work captures that joy in the form of cherry blossoms that will never fall, preserving their moment of full bloom forever within the vessel.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Yo Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 18.5 cm / Height: 23.5 cm
Width: 7.3 in / Height: 9.3 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware. A work in which the artist's vision seems to dissolve into the universe itself.

Clay is embraced by the extreme heat of the kiln, undergoing a silent transformation in which even its boundaries seem to melt away completely. What emerges appears almost like a crystallization of ancient memories, beyond the limits of human understanding.

Deep black and vivid crimson melt, flow, and overlap across the surface. The resulting landscape transcends the physical boundaries of a vessel, evoking the primal energy of magma deep within the Earth. Depending on the viewing angle, complex shades of black, crimson, brown, and white emerge, revealing the powerful expressions created by fire and clay.

The title "Yo," meaning "to melt" or "to dissolve," refers not only to the way the glazes appear to melt into one another. It also expresses a broader artistic vision in which the boundaries between matter and fire, the artist and nature, and even the work and the viewer seem to dissolve. In a modern world overflowing withinformation, this work invites the viewer to reconnect with a deeper sense of inner stillness. It is a form of spiritual art that quietly restores one's sense of balance and returns the mind to a state of tranquility. Whether used as a vase for flowers or displayed as an art object on its own, this piece brings a powerful and contemplative presence to any space.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Akebono Kinyo Vase by Kusuo Baba, Second-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 30 cm / Height: 31 cm
Width: 11.8 in / Height: 12.2 in

-----------------------
This is a work by Kusuo Baba, the second-generation master of Shinemon Kiln, one of the leading kilns of Arita ware.
The dawn of spring. Against a clear green expanse reminiscent of the stillness of the heavens, a crimson horizon of extraordinary intensity rises like the first light of day - the "Akebono," or dawn.

Within the pale, translucent blue-green glaze, layers of crimson kiln transformations emerge, as though a tranquil sky were gradually being colored by the light of daybreak. Across the dignified, rounded form of the vase, the contrasting tones of blue-green and crimson resonate beautifully with one another.

The flowing beauty created by the extreme heat of the kiln achieves an extraordinary sense of balance across the surface of this work. The interaction between flame and glaze inside the kiln can never be reproduced in exactly the same way, giving this vase a unique landscape and expression found nowhere else. Combining profound tranquility with remarkable strength, the scenery across its surface brings the viewer a sense of aesthetic calm, much like the stillness experienced at dawn.

Born from the profound ceramic tradition of Arita, this exceptional vase brings a sense of pure tranquility and commanding presence to the space in which it is displayed.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Kinko Tenmoku Broad-Bodied Vase by First-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 29.5 cm / Height: 18 cm
Width: 11.6 in / Height: 7.1 in

-----------------------
This is a work by the late Shinichiro Baba, the first-generation Shinemon and founder of Shinemon Kiln, one of the leading kilns of Arita ware.
A quietly glowing landscape of gold and vermilion.

"Kinko Tenmoku" is created through the firing of specially formulated glazes containing a unique blend of various metals. Across the golden-brown ground, vivid vermilion markings emerge through the interaction of glaze and fire. The resulting surface appears as though golden flowers were blooming across the vessel, with crimson petals drifting between them.

With an impressive diameter of 29.5 cm, the vase also has a substantial weight that can be felt when held. Its distinctive broad-bodied form is low and generously expanded around the middle, creating a powerful silhouette with a sense of solidity and presence that goes beyond its brilliant colors. As light moves across the glossy surface, layers of golden brown, vermilion, and deep brown overlap in complex patterns, revealing different expressions depending on the viewing angle.

This work was created by Shinichiro Baba, the late first-generation Shinemon of Shinemon Kiln. Golden flowers brought to life by the flames of the kiln, combined with the powerful form created by the first-generation master. Even when displayed on its own, this vase possesses a commanding dignity that transforms the atmosphere of the surrounding space.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Sometsuke Sansui Large Vase by First-Generation Shinemon, Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 34.5 cm / Height: 33.5 cm
Width: 13.6 in / Height: 13.2 in

-----------------------
This is a work by the late Shinichiro Baba, the first-generation Shinemon and founder of Shinemon Kiln, one of the leading kilns of Arita ware. This monumental white porcelain vase is decorated with a magnificent Sansui landscape.
Today, Shinemon Kiln is renowned as a leading master of "Yohen," a technique that skillfully harnesses the transformations of glaze during firing. This piece, however, is not a Yohen work. Instead, it was created using "Sometsuke," the traditional blue-and-white underglaze painting technique of Arita ware.

This large vase was made by Shinichiro Baba, the first-generation Shinemon who founded Shinemon Kiln, during his career as a ceramic artist. Through Sometsuke, one of the fundamental decorative techniques of Arita ware, we can see the exceptional skill and artistry of the first-generation master. Today, Shinemon Kiln produces very few Sometsuke works, making surviving pieces such as this particularly rare.

The subject depicted here is "Sansui," a traditional landscape theme centered on natural scenery such as mountains, rivers, lakes, trees, and rocks. The human presence is generally understated. Even when people or buildings appear, they are depicted on a small scale within the vastness of nature.
Sansui painting was strongly influenced by Chinese Taoism, Confucianism, and Zen Buddhism. These traditions share a deep respect for nature and an appreciation of harmony between human beings and the natural world. Reflecting these philosophical and spiritual ideas, Sansui landscapes express humanity's inner and spiritual pursuits through the depiction of nature. The theme is not limited to ceramics such as this piece, but is also frequently found in traditional ink paintings and hanging scrolls, making it one of the classic subjects of East Asian traditional art.

From a technical perspective, this work is particularly noteworthy for its use of Sometsuke. In this technique, the design is painted directly onto the bisque-fired porcelain body before the glaze is applied. The distinctive flow and touch of the brush create the delicate details and depth of the Sansui landscape.
Painting directly onto the porous bisque-fired surface is extremely demanding because the pigment is quickly absorbed into the porcelain body, leaving virtually no opportunity for correction. Each brushstroke must therefore be applied with confidence and precision.

Patience, concentration, and a highly developed sense of composition were all required to complete a work of this scale. This monumental vase stands as a remarkable testament to the craftsmanship and artistic ability of Shinichiro Baba, the first-generation Shinemon.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Decorative Plate 16.6cm Kinsai Sakura Cherry blossom | Kinryugama Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.6 cm
Width: 6.5 in

-----------------------
Decorative Plate with Cherry Blossoms in Full Bloom

This Arita ware decorative plate captures the graceful beauty of cherry blossoms in full bloom. The soft pink and white petals are delicately rendered, while the deep blue branches add contrast and dynamic movement to the composition.
The entire background is adorned with brilliant gold, evoking the dazzling sunlight of spring and imparting a sense of luxurious radiance. This golden backdrop enhances the charm of the blossoms and brings a refined elegance to any space making this piece an ideal choice for both gifts and interior decoration.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Decorative Plate 16.6cm Kinsai Ume Plum tree | Kinryugama Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.6 cm
Width: 6.5 in

-----------------------
Decorative Plate with Red and White Plum Blossoms

This decorative plate elegantly depicts branches filled with red and white plum blossoms in full bloom, heralding the arrival of spring. The bluish hue of the tree trunk creates a striking impression, lending the composition a balance of strength and purity. The radiant gold background adds a sense of refinement and depth, elevating the piece and bringing a dignified presence to any space.
Though compact in size, it has a strong presence, making it an ideal piece for seasonal interior decoration or as a gift.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Decorative Plate 16.6cm Kinsai Botan-Sakura Peony and Cherry blossom | Kinryugama Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.6 cm
Width: 6.5 in

-----------------------
Decorative Plate with blooming Cherry Blossoms and Peonies

This elegant decorative plate vividly portrays cherry blossoms in full bloom alongside lush peonies. The brilliant gold background spans the entire surface, casting a radiant glow that enhances the beauty of the flowers. The delicate cherry blossoms and vibrant peonies create a striking contrast, evoking the spirit and splendor of spring. A refined and graceful piece that adds both elegance and color to any space.

[ Artist Profile ]
Certified Traditional Craftsperson
Tendo Eguchi (Kinryu Kiln)

A Unique Beauty Born from Tradition and innovation
At Kinryu Kiln, we uphold the traditional techniques of Arita ware while constantly seeking innovation. Rather than settling for the status quo, we embrace trial and error, comb in ing accumulated experience with new methods. Our mission is to preserve the rare and culturally rich tradition of crafting large-scale ceramic works.

Ceramics That Endure with Timeless Beauty
Our creations are infused with soul works that retain their vivid colors and brilliance across generations, cont inuing to inspire all who see them. This enduring spirit is at the heart of everything we create.

ARITA LUXURY | View the Finest Arita Ware Collection >

Wall Decoration (S) Mt. Fuji and Sakura Cherry blossom | Kinryugama Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 27.8 cm / Height: 21.3 cm
Width: 10.9 in / Height: 8.4 in

-----------------------
**springtime Fuji in Full Bloom Ceramic Wall Art**
A decorative ceramic plaque designed to be hung on the wall like a painting.

Bathed in warm sunlight under a golden sky, Mount Fuji glows red as cherry blossoms bloom in full glory
This striking piece, inspired by the image of Fuji in spring, features vivid colors and an elegant composition. The golden backdrop adds a refined and festive atmosphere, bringing a sense of brightness and joy to any space. The contrast between the cascading cherry blossoms and the red-hued Fuji symbolizes the vitality of life and a uniquely Japanese sense of beauty, offer ing a calming presence to the viewer.

An excellent seasonal accent for your *tokonoma* alcove or entrance, and a thoughtful gift to celebrate the beauty of spring.

[ Artist Profile ]
Kinryu Kiln (Kinryu-gama)

A Unique Beauty Born from Tradition and innovation
Kinryu Kiln carries on the time-honored techniques of Arita ware while continuously embracing change. Through constant experimentation and refinement, the kiln integrates new methods with traditional skills, striving to preserve the fading culture of crafting large-scale ceramic works.

Ceramics That Endure in Beauty Through the Ages
With vivid colors and brilliance that transcend time, Kinryu Kiln creates soulful works that resonate across generations pieces that retain their beauty for years to come and continue to inspire all who behold them.

ARITA LUXURY | View the Finest Arita Ware Collection >

Wall Decoration (M) Mt. Fuji and Sakura Cherry blossom | Kinryugama Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 33.8 cm / Height: 27.5 cm
Width: 13.3 in / Height: 10.8 in

-----------------------
**springtime Fuji in Full Bloom Ceramic Wall Art**
A decorative ceramic plaque designed to hang on the wall like a painting.

Bathed in warm golden sunlight, with a crimson-hued Mount Fuji and cherry blossoms in full bloom
this piece captures the vibrant essence of spring in Japan. Vivid colors and an elegant composition give the artwork a captivating presence. The golden sky in the background brings a refined radiance to the entire piece, brightening any space with a festive touch. The contrast between the cascading cherry blossoms and the red Fuji symbolizes the energy of life and a uniquely Japanese sense of beauty, gently soothing the viewer’s spirit.

Perfect as a seasonal accent for your entryway or *tokonoma* alcove, or as a refined gift to convey the spirit of spring.

[ Artist Profile ]
Kinryu Kiln (Kinryu-gama)

A Unique Beauty Born from Tradition and innovation
Kinryu Kiln carries on the time-honored techniques of Arita ware while continuously embracing change. Through constant experimentation and refinement, the kiln integrates new methods with traditional skills, striving to preserve the fading culture of crafting large-scale ceramic works.

Ceramics That Endure in Beauty Through the Ages
With vivid colors and brilliance that transcend time, Kinryu Kiln creates soulful works that resonate across generations pieces that retain their beauty for years to come and continue to inspire all who behold them.

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Kinsai Kacho Gold Flowers and Birds | Kinryugama Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 17.5 cm / Height: 22.5 cm
Width: 6.9 in / Height: 8.9 in

-----------------------
A brilliantly ornate piece capturing the vibrant energy of spring through blooming cherry blossoms and auspicious blue birds.
This exquisite ceramic artwork features fully bloomed sakura and vividly colored birds spread across the surface, depicting the peak of spring in fine, delicate brushwork. The radiant gold background envelops the entire piece in dazzling light, evoking the grandeur of a scene from an ornate picture scroll.

Each cherry blossom is rendered with subtle gradation, while the feathers of the blue bird are shaded with delicate precision testament to the artist’s refined technique and keen sensitivity. The three-dimensional visual effect, which shifts in impression depending on the view ing angle, adds a unique charm to this work.

The auspicious spring motifs make this an excellent decorative piece for the home, and it is also sure to be appreciated as a luxurious and meaningful gift.

[Potter Profile]
Tendo Eguchi (Kinryu Kiln)
Certified Traditional Craftsman

A s ingular beauty born from tradition and innovation
Kinryu Kiln preserves the traditional techniques of Arita ware while constantly seeking evolution. Through tireless trial and error, the kiln integrates accumulated experience with new methods, striving every day to keep alive the culture of creating large-scale ceramic works?now increas ingly rare.

Ceramics that reMain beautiful for generations
With the spirit of creating works that retain their vivid color and brilliance over time, Kinryu Kiln produces soulful pieces that continue to move people across generations.

ARITA LUXURY | View the Finest Arita Ware Collection >

Sake set 1 pc Tokkuri bottle and 2 pcs Cups Sankei | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Size of Bottle]
Diameter: 9.5 cm / Height: 13.3 cm
Diameter: 3.7 in / Height: 5.2 in

[Capacity of bottle]
400 ml
13.5 fl oz

[Size of Cup]
Diameter: 6.6 cm / Height: 4.7 cm
Diameter: 2.6 in / Height: 1.9 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Sankei” (“mountain Scenery”), it depicts distant mountain peaks with a grand and majestic design. The contrast between the Cinnabar glaze representing the mountain ranges and the tenmoku glaze expressing the background sky is striking, creating a visual depth that draws the viewer in.

Shinemon Kiln is renowned as a leading master of the yohen technique, which requires masterful control of glazes. This piece is personally crafted by Kusuo Baba, the current head of the kiln. Yohen refers to the transformations that occur within the kiln, where glaze colors and patterns change unpredictably, revealing natural beauty and mystery.

in “Sankei”, scarlet mountain ridges in Cinnabar emerge against the profound black of the tenmoku glaze. The heavy black glaze carries the depth of a night sky, while the cha in of crimson landscapes resembles peaks glowing in the colors of dusk. This poetic design captures the grandeur of nature within the glaze, evoking both majesty and serenity.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Sometsuke Ryu Dragon | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 24.3 cm / Height: 33 cm
Width: 9.6 in / Height: 13 in

-----------------------
This is a work by the predecessor and first generation master of Shinemon Kiln, Shinichiro Baba (posthumously Shinemon), a kiln that represents Arita ware. It is a large piece, Standing 25 cm tall. On the surface of a grand vase as a canvas, a powerful dragon is boldly depicted in sometsuke (blue-and-white underglaze), creating a commanding presence.

Today, Shinemon Kiln is renowned as a leading studio in the technique of yohen (glaze transformation), which requires masterful control of glazes. However, this piece is not yohen but sometsuke. The reason is that this vase was created by the founding master himself during his career. One can sense how he expressed his skill through sometsuke, the fundamental decorative technique of Arita ware. Since the present Shinemon Kiln rarely produces sometsuke works, this vase is now a rare surviving piece. Its form alone shines as an art object, radiating an overwhelm ing presence even without flowers. Moreover, the wide mouth is designed to fir mly hold arrangements, resulting in a stately impression when flowers are placed.

The dragon depicted here is an immensely important symbol in Asian culture, carrying many auspicious meanings. Especially in Ch ina and Japan, dragons are revered as sacred and powerful beings with strong symbolic significance.
First, the dragon is a symbol of prosperity and good fortune. in Chinese culture in particular, dragons are believed to bring wealth and success. Artworks featur ing dragons are cherished as auspicious items that invite luck. Second, the dragon symbolizes wisdom and knowledge. in Chinese legends, dragons often appear as sages possess ing deep wisdom, respected as beings who bestow knowledge. Additionally, the dragon embodies courage and boldness. It is considered a force that confronts any hardship and overcomes adversity, inspiring bravery through its stance.

From the perspective of technique, this work is executed in sometsuke. This method involves painting designs onto the bisque-fired body before glaze is applied. With the unique flow of brushwork and touch characteristic of this method, a delicate landscape world is vividly expressed. Because the bisque absorbs the ink, corrections cannot be made every brushstroke is final. It is a one-shot endeavor that demands perseverance, concentration, and compositional skill, all of which culminate in this completed masterpiece.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Sometsuke Hana-e Flower | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 17.3 cm / Height: 21 cm
Width: 6.8 in / Height: 8.3 in

-----------------------
This is a work by the predecessor and first-generation master of Shinemon Kiln, Shinichiro Baba (posthumously Shinemon), a kiln that represents Arita ware. The piece features a floral design expressed in sometsuke (blue-and-white underglaze).

Today, Shinemon Kiln is recognized as a leading studio in the yohen technique, a method that requires masterful control of glazes. However, this work is not yohen but sometsuke. The reason is that this vase was created by the founding master himself during his career. Through sometsuke, the fundamental painting technique of Arita ware, one can clearly see how he demonstrated his artistry and skill. Since the current Shinemon Kiln rarely produces sometsuke works, this piece is now highly rare and valuable.

Though modest in size, it has sufficient capacity to hold flowers gracefully, making it an ideal shape for arranging plants indoors. Its versatile form allows it to be placed anywhere, adding a touch of quiet color to everyday life. While floral in theme, the design avoids strict realism, opting instead for a decorative expression that gives an abstract and refined impression. The bold deconstruction of motifs sparks the viewer’s imagination, evoking a unique beauty where tradition and modernity harmonize.

From the perspective of technique, this work is executed in sometsuke. This involves painting on the bisque-fired body before glazing. With the distinctive flow of the brush and subtle touch unique to this technique, a delicate world of decorative imagery is vividly conveyed. Because the absorbent bisque body does not allow corrections, every line must be executed in a single decisive stroke. It is a one-shot endeavor that requires perseverance, concentration, and compositional skill?all of which come together in the completion of this piece.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Tea Bowl Kinka-mon | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12.2 cm / Height: 5.8 cm
Width: 4.8 in / Height: 2.3 in

-----------------------
This is a work by the predecessor and first-generation master of Shinemon Kiln, Shinichiro Baba (posthumously Shinemon), one of the representative kilns of Arita ware.
It is a masterpiece matcha bowl, traditionally used in the Japanese tea ceremony.

Shinemon Kiln is renowned as a pioneer in the yohen technique, which requires exceptional skill in manipulating glazes. This piece was created by the first-generation master during the period when he and his successor, Kusuo Baba, were establishing the kiln’s identity with yohen works, making it a rare and precious creation. Yohen refers to the transformative phenomena that occur within the kiln, where the glaze’s colors and patterns shift unpredictably, revealing natural beauty and mystery.

The glaze used here is called kinhana-mon (“gold-flower pattern”), celebrated for its crystalline formations resembling golden blossoms. This glaze is achieved by Blending various metals into the mixture and firing it, producing golden-brown speckles across the surface. The effect is one of radiant golden flowers blooming across the vessel. Elegant and refined, the kinhana-mon glaze imbues the bowl with a noble and dignified atmosphere, perfectly suited to the spirit of the tea ceremony.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Tea Bowl Ginga | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12.8 cm / Height: 7.2 cm
Width: 5 in / Height: 2.8 in

-----------------------
This matcha bowl is a work by Ky?suo Baba, the second-generation master of the Shinemon Kiln?one of the most prestigious kilns representing Arita ware. A true masterpiece, it is designed for use in the Japanese tea ceremony and embodies both tradition and innovation.

The Shinemon Kiln is renowned for its expertise in the *Y?hen* technique?a method in which glazes undergo natural transformations within the kiln, resulting in unpredictable and beautiful effects that evoke the mystery of nature. The glaze used in this piece is called *Ginga* (“Galaxy”), a unique variation of *Yuteki Tenmoku* (oil-spot glaze) developed exclusively by the Shinemon Kiln. It was designed to represent the Milky Way as seen across a summer night sky, offer ing a serene atmosphere filled with depth and subtle radiance?much like starlight shimmering in darkness.

Through careful manipulation of the size, color, and distribution of the silvery spots, the kiln expresses a wide range of celestial landscapes. Each bowl becomes a microcosm of the galaxy, inviting the viewer to lose themselves in its quiet, otherworldly beauty.

The rim is elegantly adorned with high-purity gold, adding a refined brilliance that complements the deep, mysterious glaze. This delicate accent enhances the bowl’s presence and creates a sense of graceful sophistication with every use. It is a piece that not only serves its function in the tea ceremony, but also offers a contemplative visual experience one that l ingers long after the bowl has been set down.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Sometsuke Shika Momiji Deer and Maple leaves | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 13.7 cm / Height: 15.8 cm
Width: 5.4 in / Height: 6.2 in

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This is a work by Kinsai Fujii, a leading master in the art of Arita ware.
It is a spherical flower vase painted entirely in *sometsuke* (blue-and-white underglaze), featur ing gracefully leap ing deer amidst a dense scatter ing of autumn leaves. The finely detailed maple motifs cover the entire surface, while the deer emerging within creates both dynamism and a sense of fantasy. The expressive brushwork, unique to hand painting, together with the deep indigo gradations of *sometsuke*, produces a scenery that never ceases to captivate the eye.

From the perspective of technique, this piece is executed in *sometsuke*. This method involves painting directly onto the bisque-fired body before the glaze is applied. The flowing brushstrokes and delicate touches characteristic of this technique evoke the refined world of traditional landscape painting. Because the absorbent surface of the bisque does not allow for corrections, each line must be drawn in a single decisive stroke. Patience, concentration, and compositional strength?all come together in the completion of this work.

Standing 15.8 cm tall, this compact vase is well-suited to modern Living spaces, making it a popular choice. Its size also makes it an excellent gift item. A true masterpiece, it embodies the pinnacle of skill in wheel-throwing, painting, and firing.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Some-Nishiki Kiku Chrysanthemum flower | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.7 cm / Height: 14.5 cm
Width: 6.6 in / Height: 5.7 in

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This piece is by Kinsai Fujii, a leading figure in the world of Arita ware art.

The entire surface of the vase is adorned with chrysanthemum motifs auspicious symbols of longevity and purity. Red, blue, and white blossoms bloom in vibrant harmony, Blending classical design with a modern sense of elegance. The chrysanthemum has long been cherished in ceramic art as a noble motif representing longevity and virtue.

The decorative techniques used in this piece include both underglaze blue (sometsuke) and overglaze enamel painting (akae / nishiki-e).
Sometsuke is the technique of painting on the bisque-fired body before applying the glaze, while nishiki-e involves applying vivid colors such as red and green after the glaze firing. Each method requires advanced skill, and comb in ing them demands an exceptional sense of composition and refined craftsmanship.

At 14.5 cm in height, this compact vase is well-suited for modern Living spaces. Its size and beauty also make it an excellent gift. A true masterpiece, it brings together the finest techniques of wheel-throwing, painting, and firing.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Gourd Shape Cherry blossoms, Bamboo leaves, and Plum blossoms | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 11.5 cm / Height: 23 cm
Width: 4.5 in / Height: 9.1 in

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This piece is a creation by Fukuji Kitamura, a leading figure in the world of Arita ware decorative arts.
Mr. Kitamura is a master traditional craftsman in overglaze painting who has long embodied the fusion of tradition and innovation in Arita porcelain. Though now retired from active work, his creations continue to captivate many admirers. Each piece reflects his exceptional technique and personal aesthetic, Standing as a timeless crystallization of ceramic artistry.

This porcelain vase, shaped like a *hyotan* (gourd), features an exuberant display of seasonal flowers rendered in vivid colors and delicate brushwork. Plum blossoms, cherry blossoms, and bamboo leaves bloom across curved panels that wrap around the vessel, symbolically capturing the cycle of the four seasons.

A beautifully balanced harmony of blue, red, green, and white lends this piece a different visual expression from every angle. With a height of 23 cm and a diameter of 11.5 cm, it is easy to display while still commanding attention with its vibrant presence and intricate decoration. The auspicious gourd shape combined with motifs of seasonal beauty makes this a delightful and meaningful gift.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Somenishiki Botan Peony flower | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 25.5 cm / Height: 30.5 cm
Width: 10 in / Height: 12 in

-----------------------
This piece is by Fukuji Kitamura, a renowned master in the field of Arita ware artistry.

Mr. Kitamura is a Traditional Craftsman specializing in overglaze painting, who has long embodied both the tradition and innovation of Arita ware. Though now retired from active production, his works continue to captivate many with their timeless beauty. His distinctive style, born from masterful technique and a unique artistic sensibility, can truly be described as a crystallization of beauty that transcends generations.

This large decorative jar is a breathtaking example of *peony motifs in full bloom*, evoking the dazzling impression of a kaleidoscope. The peony, long celebrated as the "king of flowers," has traditionally symbolized wealth, elegance, and good fortune in Japanese culture.

Rendered in rich purples, soft pinks, and muted browns, the painted peonies convey the charm of a flourishing garden. The lattice pattern in the background and the golden *karakusa* (arabesque) design add a touch of brilliance and refinement, bringing this work into harmony with both traditional and modern interiors.

Blending tradition, dignity, and exceptional craftsmanship, this piece is a magnificent example of Arita ware that adds a noble elegance to any space, regardless of style.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Large Vase Somenishiki Botan Peony flower | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 22.2 cm / Height: 37.5 cm
Width: 8.7 in / Height: 14.8 in

-----------------------
This is a work by Fukuji Kitamura, a leading master in the art of Arita ware.
Mr. Kitamura, a certified traditional craftsman of overglaze decoration, has long embodied both the tradition and innovation of Arita ware. Though he has Since stepped back from the forefront, his works continue to captivate many admirers. His artistry, born from a mastery of technique and a unique sensibility, can truly be described as a crystallization of beauty that transcends time.

This large flower vase is adorned with resplendent peonies that bloom gloriously across its entire surface. The design, based on vivid reds, greens, and indigo hues set against geometric patterns, evokes the power and brilliance of a flourishing garden in full bloom. The graceful curves, expanding gently from the neck to the body, harmonize with the finely detailed floral motifs to create a distinguished presence.

Since ancient times, peonies have been regarded as symbols of “wealth” and “prosperity,” making this design especially fitt ing for celebratory occasions and refined settings. Beyond serving as a decorative vessel, it enhances the atmosphere of any space?whether Japanese or Western?with an air of elegance and grandeur.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Incense burner Shippou | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 11.5 cm / Height: 8.5 cm
Width: 4.5 in / Height: 3.3 in

-----------------------
This is a work by Fukuji Kitamura, a leading master in the art of Arita ware.
Mr. Kitamura, a certified traditional craftsman of overglaze decoration, has long embodied both the tradition and innovation of Arita ware. Although he has now stepped back from the forefront, his creations continue to fascinate many people. His artistry, shaped by refined technique and a unique sensibility, can truly be described as a crystallization of beauty that transcends time.

This piece is an Arita ware incense burner fully adorned with the distinguished shipp? (seven treasures) motif. Shipp-tsunagi is a traditional Japanese geometric pattern consisting of interlinked circles that extend endlessly in all directions. The term shipp? refers to the “seven treasures” mentioned in Buddhist scriptures gold, silver, lapis lazuli, crystal, coral, agate, and others symbolizing beauty, value, and auspiciousness. The continuous circle motif is also associated with harmony, perfection, and enduring connections.

in this work, the hand-painted shipp design, with deep indigo outlines accented by touches of vermilion, elegantly enhances the vessel’s softly rounded form. The lid is decorated with openwork, allowing the fragrance of incense to rise gracefully. While it can be used as a functional incense burner, it also serves as a refined decorative object or interior accent in contemporary spaces.

With a compact size of 8.5 cm in height and 11.5 cm in diameter, it blends sea mlessly into both Japanese and Western-style rooms. bringing the auspicious beauty and refinement of the shipp? motif into your home, this piece offers both elegance and timeless charm.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Incense burner Karakusa-Shishi | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12 cm / Height: 14.5 cm
Width: 4.7 in / Height: 5.7 in

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Lidded Tripod incense Burner with Arabesque Motif by Fukushi Kitamura

This piece is the work of Fukushi Kitamura, a leading figure in the world of Arita ware. A master overglaze artisan, Kitamura has long embodied both the tradition and innovation of Arita porcelain. Though now retired from the forefront of his craft, his works continue to captivate and inspire with their timeless beauty, born of exceptional skill and a unique artistic sensibility.

This particular incense burner is a striking example of refined elegance, comb in ing a sense of gravitas with vibrant ornamentation. The body is richly adorned with intricate arabesque patterns in deep indigo and gold over a verdant green base, creating an atmosphere of dignified sophistication. Atop the lid sits a guardian lion (shishi), a traditional symbol of protection and warding off evil, adding a bold and meaningful accent. The lid is also pierced with openwork, allowing the fragrance of incense to rise gently through the openings.

Blending classical design elements with a modern aesthetic, this piece can be enjoyed not only as a functional incense burner but also as a decorative art object that complements contemporary interiors.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Gourd Shape Seasonal Flowers and Children | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 11.5 cm / Height: 23 cm
Width: 4.5 in / Height: 9.1 in

-----------------------
This piece is a creation by Fukuji Kitamura, one of the foremost figures in the world of Arita ware decorative arts.
Mr. Kitamura is a certified traditional overglaze painting artisan who has long embodied both the heritage and innovation of Arita ware. Though now retired from active production, his works continue to fascinate many collectors and admirers. Each piece, shaped by his masterful skill and unique artistic vision, stands as a timeless gem of ceramic beauty.

This particular work is a porcelain vase in the shape of a *hyotan* (gourd), entirely enveloped in intricate *akae* (red overglaze) patterns, with white-reserved "windows" that feature scenes of seasonal flowers and playful children. The design includes motifs such as peonies, morning glories, autumn leaves, and plum blossoms representing spring, summer, autumn, and winter respectively each accompanied by charming depictions of children that together tell a gentle story across the surface. The four scenes circle the vase, allowing the viewer to enjoy the shifting seasons from every angle.

The *hyotan* has long been considered an auspicious symbol in Japan, representing good health and prosperity. This piece, with its elegant proportions (approximately 23 cm in height), vibrant *akae* decoration, and finely detailed painting, is both easy to display and rich in presence making it a popular choice for decorative use or as a meaningful gift.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Large Vase Green Paulownia leaves | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 21.5 cm / Height: 37 cm
Width: 8.5 in / Height: 14.6 in

-----------------------
A Masterwork by Fukuji Kitamura, a leading Artisan in the Art of Arita Ware

This exceptional porcelain jar is the work of Fukuji Kitamura, a highly respected master of overglaze painting and a designated Traditional Craftsman who has long embodied both the tradition and innovation of Arita ware. Though now retired due to age, Kitamura’s body of work continues to captivate audiences with its timeless beauty and technical brilliance.
Each of his pieces, born of refined craftsmanship and unique artistic sensibility, stands as a lasting crystallization of beauty beyond its era.

This large porcelain jar is strikingly adorned with a dense pattern of paulownia leaves (kiri), rendered in refreshing green overglaze. measuring approximately 37 cm in height and 21.5 cm in diameter, the jar’s stately form is beautifully balanced by a slender, gracefully elongated neck that lends it an air of quiet elegance.
The paulownia, a traditional symbol of good fortune, is drawn with exquisite detail down to the fine veins of each leaf, showcasing the artist’s meticulous brushwork.
The motif, which seems to envelop the entire vessel, evokes both the vitality of nature and a serene aesthetic.

Whether displayed as a statement interior piece or offered as a distinguished gift, this jar elevates any space. Its dignified presence harmonizes effortlessly with both modern and traditional settings.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Green Paulownia leaves | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 19.5 cm / Height: 34 cm
Width: 7.7 in / Height: 13.4 in

-----------------------
This piece is by Fukuji Kitamura, a distinguished master in the field of Arita ware artistry.

Mr. Kitamura is a certified Traditional Craftsman specializing in overglaze painting, who has embodied the tradition and innovation of Arita ware over many decades. Though now retired from active work in his 90s, his creations continue to captivate admirers with their enduring beauty. His distinctive style?born of expert craftsmanship and a refined artistic sensibility?truly represents a timeless crystallization of Japanese ceramic art.

This large floral vase, Standing 34 cm tall, features an intricate design of *paulownia leaves* meticulously painted in a refreshing blue-green hue. The elegant contrast between the wide, rounded body and the slender, tapered neck gives the piece a stately presence that enhances any space it occupies.

in Japanese tradition, the paulownia is a classical auspicious motif symbolizing nobility and prosperity. The painting, down to the fine details of each leaf ve in, showcases the height of traditional brushwork techniques. With its sense of refreshing clarity and refined elegance, this piece harmonizes beautifully with modern interiors.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Gourd Shape Green Seigaiha (blue ocean wave pattern) and Gourd design | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 11.5 cm / Height: 23 cm
Width: 4.5 in / Height: 9.1 in

-----------------------
This piece is a work by Fukuji Kitamura, a master artist widely recognized as a leading figure in the world of Arita ware decorative arts.

Mr. Kitamura, a certified traditional craftsman specializing in overglaze painting, has long embodied both the tradition and innovation of Arita ware. Though now retired from active production, his works continue to captivate audiences with their timeless beauty. His creations born of exceptional skill and a s ingular artistic sensibility stand as enduring expressions of Japanese ceramic artistry.

This particular piece features a porcelain form shaped like a *hyotan* (gourd), with a playful and refined design that depicts the gourd motif itself. The background is richly adorned with the *seigaiha* (blue ocean waves) pattern, whose rhythmic repetition imparts both elegance and harmony across the surface. Vibrant red cords and accents of gold detailing enhance the sense of festivity, making this an auspicious piece with strong visual appeal.

The *hyotan* shape itself holds deep symbolic meaning. Known as a lucky charm Since ancient times, the gourd represents “abundance and prosperity” as well as “harmony and stability.” Its bulbous form suggests a vessel that holds plenty symbolizing wealth and happiness while the balanced curves of its top and bottom reflect harmony in relationships and domestic peace.

With its elegant form, detailed craftsmanship, and meaningful symbolism, this work is not only a beautiful decorative object but also an ideal gift or commemorative piece for special occasions.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Ajisai Hydrangea Flowers | Fukuji Kitamura Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 11 cm / Height: 24.8 cm
Width: 4.3 in / Height: 9.8 in

-----------------------
This is a work by Fukuji Kitamura, a leading master in the art of Arita ware.
Mr. Kitamura, a certified traditional craftsman of overglaze decoration, has long embodied both the tradition and innovation of Arita ware. Although he has now stepped back from the forefront, his creations continue to fascinate many people. His style, born from a mastery of technique and a unique artistic sensibility, can truly be described as a crystallization of beauty that endures across time.

This piece is a vividly decorated vase featur ing blooming hydrangeas in full splendor. painted in a rich palette of purple, red, yellow, white, and other hues, the hydrangeas cover the entire surface, as if capturing the very joy of the season within the vessel. Its elegant slender form and compact size, approximately 24.8 cm in height, make it ideal for display in an alcove or on a shelf.

The delicate petals of the hydrangea, combined with the rhythmic arrangement of its leaves, reveal new discoveries with every glance, offer ing a refined and ever-fresh impression.

[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman

A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture

An overglaze painter is the one who brings life to the pristine white surface of porcelain.
using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, Living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.

Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward

Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Himawari Sunflower | Kousai Kasahara Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Cup size]
Length: 11 cm / Width: 8 cm / Height: 9.2 cm
Length: 4.3 in / Width: 3.1 in / Height: 3.6 in

[Saucer size]
Width: 16 cm
Width: 6.3 in

-----------------------
Coffee Cup and Saucer with Sunflower Motif by Kousai Kasahara A Master of Arita Ware

This vibrant coffee cup and saucer set is the work of Kousai Kasahara, a leading figure in the art of Arita ware. The surface bursts with sunflowers in full bloom, rendered in *sometsuke* and *aka-e* overglaze painting, as if capturing the warmth and radiance of sunlight itself. Bright yellow petals and vivid blue-green leaves spread dynamically across the glossy red ground, bringing a sense of hope and cheer to all who behold it.

Entirely hand-painted, each brushstroke reflects the exceptional skill of a certified Traditional Craftsperson. Delicate geometric patterns grace the rims of both the cup and saucer, adding a sense of refinement and elevating the overall elegance. intricate detailing even extends to the foot and handle, showcasing an uncompromis ing dedication to craftsmanship.

A luxurious piece that transforms your everyday coffee ritual into a special moment, this set also makes a thoughtful and impressive gift.

[Potter Profile]
Kosai Kasahara
Certified Traditional Craftsman

A leading figure in the artistic realm of Arita ware, Kosai Kasahara specializes in the design and decoration of large vases and plates, particularly in the sometsuke (underglaze) tradition. While honor ing classical techniques, he is known for producing bold and innovative large-format works.

1957 Born in Arita, Saga Prefecture
1973 Studied large-scale porcelain painting under master Masateru Furukawa
1977 Joined Koemon Kiln, focusing on design and painting
1987 Studied ink wash landscapes under the late K intake Ichiji, a recognized Contemporary Master Artisan
1992 Established his own kiln, Kasahara Kosai Kiln
1995 Certified as a Traditional Craftsman
2012 Began instruct ing the next generation of artisans as a painting instructor at the Saga Ceramic industry Association

[Major Exhibitions and Awards]
National Traditional Crafts Exhibition
Kyushu-Yamaguchi Ceramic Exhibition ? Skills Award
Saga Prefectural Exhibition ? Ceramic Association Prize
Western Japan Crafts Exhibition
Saga Art Association Exhibition
West Japan Ceramic Exhibition
…and many more.

ARITA LUXURY | View the Finest Arita Ware Collection >

Square Vase Somenishiki Ouraku Sakura | Kousai Kasahara Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 15 cm / Height: 26.8 cm
Width: 5.9 in / Height: 10.6 in

-----------------------
This work is by Kosai Kasahara, a leading figure in the world of Arita ware artistry.

It is a luxurious square-shaped vase, richly decorated using the *sometsuke* (underglaze blue) and *akae* (overglaze enamel) techniques, known collectively as *sometsuke & nishiki*. The vase features a fantastical landscape where colorful flowers and elegant pavilions intertw ine, painted in vivid vermilion, blue, and gold hues. The overlapp ing colors create a grand, scroll-like visual experience that captures the viewer’s imagination.

Particularly noteworthy is the vase’s distinctive square form an uncommon shape even among Arita ware. The continuous, un interrupted painting across each of its four sides showcases the artist’s exceptional brushwork and compositional mastery. Even the base of the vase, typically hidden from view, is intricately adorned, embodying the harmony of functionality and beauty.

The pavilions surrounded by lavish blossoms are traditional auspicious motifs, symbolizing *prosperity* and *peace*. Whether used as a centerpiece in an interior space or as a refined gift, this piece stands as a stunn ing example of both artistic sophistication and timeless symbolism.

[Potter Profile]
Traditional craftsperson
Kosai Kasahara

Kosai Kasahara is a certified traditional craftsperson specializing in underglaze painting for Arita ware. He is a leading figure in the world of Arita fine ceramics, known for designing and producing vases and large plates. He has presented numerous bold and innovative works while making full use of traditional techniques.

Biography:
1957 Born in Arita, Saga Prefecture
1973 Began training in large-scale decorative painting under master painter Masateru Furukawa
1977 Joined Koueimon Kiln, where he was involved in design and painting
1987 Studied ink landscape painting under the late Ichiji Kanetake, a nationally recognized master craftsman
1992 Became independent and founded the Kasahara Kosai Kiln
1995 Certified as a traditional craftsperson
2012 Began teach ing decorative painting techniques to younger generations at the Saga Prefectural Ceramic industry Association

[Major Exhibitions and Awards]
* National Traditional Craft Exhibition
* Kyushu-Yamaguchi Ceramic Exhibition (Technical Excellence Award)
* Saga Prefectural Exhibition (Ceramic Arts Association Award)
* Western Japan Craft Exhibition
* Saga Prefectural Art Association Exhibition
* West Japan Ceramic Exhibition
* And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Large Vase Somenishiki Himawari Sunflower | Kousai Kasahara Traditional Craftsperson work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 28.5 cm / Height: 33 cm
Width: 11.2 in / Height: 13 in

-----------------------
This is a work by Kosai Kasahara, a leading figure in the art of Arita ware.
With a gentle and delicate touch, the piece vividly depicts blooming sunflowers on a summer day. The vibrant yellow blossoms exude life and energy, capturing the full vitality of midsummer in this dynamic, large-scale work.

As indicated by the term *"Some-Nishiki"* in the product title, this piece employs both *sometsuke* (underglaze blue) and *nishiki-e* (overglaze enamels) techniques.
*Sometsuke* involves painting designs onto the bisque-fired porcelain before glazing, while *nishiki* refers to adding vivid colors such as red and green after the glaze has been fired. Both techniques are highly challenging on their own, and comb in ing them requires exceptional skill, particularly in terms of composition and balance.

With a commanding presence measuring 28.5 cm in diameter and 33 cm in height, this exceptional piece showcases the pinnacle of craftsmanship honed in Arita.

[Potter Profile]
Traditional craftsperson
Kosai Kasahara

Kosai Kasahara is a certified traditional craftsperson specializing in underglaze painting for Arita ware. He is a leading figure in the world of Arita fine ceramics, known for designing and producing vases and large plates. He has presented numerous bold and innovative works while making full use of traditional techniques.

Biography:
1957 Born in Arita, Saga Prefecture
1973 Began training in large-scale decorative painting under master painter Masateru Furukawa
1977 Joined Koueimon Kiln, where he was involved in design and painting
1987 Studied ink landscape painting under the late Ichiji Kanetake, a nationally recognized master craftsman
1992 Became independent and founded the Kasahara Kosai Kiln
1995 Certified as a traditional craftsperson
2012 Began teach ing decorative painting techniques to younger generations at the Saga Prefectural Ceramic industry Association

[Major Exhibitions and Awards]
* National Traditional Craft Exhibition
* Kyushu-Yamaguchi Ceramic Exhibition (Technical Excellence Award)
* Saga Prefectural Exhibition (Ceramic Arts Association Award)
* Western Japan Craft Exhibition
* Saga Prefectural Art Association Exhibition
* West Japan Ceramic Exhibition
* And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Seiin | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Sei in” (“Blue Resonance”), it embodies a universe cradled in the palm?an expression of a serene blue that creates a one-of-a-Kind coffee experience.

Shinemon Kiln is renowned as a pioneer in the yohen technique, which requires masterful control of glazes. This piece was personally created by Kusuo Baba himself. Yohen refers to the transformative phenomena inside the kiln, where the colors and patterns of the glaze change unpredictably, revealing nature’s beauty and mystery. The glaze used here, called Sei in, reveals its profound and lucid blue only in miraculous moments, born from the delicate interplay of kiln temperature, humidity, and the movement of flames.

It may rem ind one of the clear sky before dawn, or of the stillness of the deep sea. Within the absorb ing black of tenmoku glaze, lapis-blue tones merge, producing scenery that is never the same twice. This mysterious blue vision is the crystallization of a dialogue between clay, glaze, and fire, elevated by Kusuo Baba?recognized at the Nitten Exhibition? into an art form where chance becomes beauty itself. The name “Sei in” conveys the profound and tranquil resonance of blue, a beauty to be experienced with one’s own eyes.

Created by an artist who draws out the full expression of glazes, this elegant coffee cup and saucer reveal new landscapes each time they are held. Each use becomes a special moment?an opportunity to slowly savor both the coffee and the vessel’s ever-changing expressions.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Oboro-sakura | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Obor fl ozakura” (“Hazy Cherry Blossoms”), it is a refined and delicate creation that eternally preserves the fleet ing beauty of cherry blossoms within shimmering crystalline patterns.

Shinemon Kiln is renowned as a pioneer in the yohen technique, which requires exceptional mastery in manipulating glazes. This piece was personally created by Kusuo Baba himself. Yohen refers to the transformations that occur inside the kiln, where glaze colors and patterns change unpredictably, revealing the beauty and mystery of nature. The glaze used here, called Obor fl ozakura, was born from the miraculous intersection of kiln fire?nature’s force combined with the long-cultivated skills of a master craftsman and the sensitivity of a s ingular moment. Its fa int, delicate coloration, shifting gently with the angle of light, evokes the very image of cherry blossoms blooming in a spring night’s dream.

When deep, rich coffee is poured, it m ingles with the soft cherry-colored crystals, reflect ing a drea mlike vision reminiscent of hanaikada petals drift ing across a rippl ing water surface. This work allows beauty to be appreciated visually, texture to be felt by touch, and bliss to be completed through taste. Obor fl ozakura promises a serene and fulfill ing experience that engages all five senses. Life is enriched by the accumulation of such moments that nourish the heart.

Brought to life by an artist who masterfully draws out the fullest expression of glaze, this elegant coffee cup and saucer reveal new scenery each time they are held. Every use becomes a special occasion an invitation to savor both coffee and the vessel’s ever-changing beauty.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Yoh | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Yoh” (Fusion), it features a glaze of striking contrast between black and red, expressing a mysterious brilliance.

Shinemon Kiln is renowned as a pioneer in the yohen technique, which requires exceptional mastery in manipulating glazes. This piece was personally created by Kusuo Baba, the current head of the kiln. Yohen refers to the transformative phenomena inside the kiln, where glaze colors and patterns change unpredictably, revealing nature’s beauty and mystery.

The glaze used here, named Yoh, embodies the artist’s profound vision. The fiery crimson, like the energy of Earth’s creation, is achieved through Cinnabar glaze (shinsay), which withstands the searing 1300°C flames and grants its brilliance only to the most resilient pieces. This “jewel red,” coveted Since ancient times by rulers and connoisseurs, symbolizes passion and rarity. incontrast, the background of jet-black tenmoku glaze swallows all in its silence, resembling a blazing star suspended in the vast cosmos. No two works ever reveal the same expression.

Within the kiln, miracles born of chance inscribe unique and unrepeatable landscapes on each vessel. The red of Yoh has long been considered a mystical color that protects its owner. Its radiance not only enriches celebratory occasions but also illum inates the future of the one who holds it. It is truly a functional work of art?an embodiment of Shinemon Kiln’s passion, philosophy, and the beauty born from fire and serendipity.

Brought to life by an artist who masterfully draws out the expressive power of glazes, this elegant coffee cup and saucer reveal new scenery each time they are held. Every moment of use becomes extraordinary an opportunity to savor both coffee and the ever-changing beauty of the vessel itself.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Coffee Cup and Saucer Kirameki | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Cup size]
Length: 10.8 cm / Width: 8.5 cm / Height: 7.4 cm
Length: 4.3 in / Width: 3.3 in / Height: 2.9 in

[Saucer size]
Width: 15.3 cm
Width: 6 in

-----------------------
This is a work by Kusuo Baba, the second-generation head of Shinemon Kiln, one of the representative kilns of Arita ware.
Titled “Kirameki” (Radiance), it features a glaze with a tea-golden base, expressing a brilliance reminiscent of the sun.

Shinemon Kiln is renowned as a pioneer of the yohen technique, which requires exceptional skill in controlling glazes. This piece was personally created by the current head, Kusuo Baba. Yohen refers to the transformative phenomenon within the kiln, where the glaze’s colors and patterns change unpredictably, revealing the beauty and mystery of nature.

The glaze used here, called Kirameki, explores subtle variations in color, depth, and luster, producing a wide range of kiln-transformed patterns. Crafted by an artist who masterfully draws out the expressive qualities of glaze, this coffee cup and saucer exudes elegance. Each time it is held, new scenery appears, making every moment of use truly special. Enjoy not only the coffee, but also the shifting beauty of the vessel itself.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Large Vase Kodai Sometsuke Sansui Landscape | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 29 cm / Height: 35.7 cm
Width: 11.4 in / Height: 14 in

-----------------------
This is a masterpiece by the late Shinichiro Baba, the first-generation founder of the Shinemon Kiln, one of the most renowned kilns representing Arita ware. Standing over 35 cm tall, this imposing work features a bold landscape painting (sansui) executed in traditional blue-and-white (sometsuke) decoration on a large vase as its canvas.

Today, the Shinemon Kiln is widely recognized as a leading studio in the art of “Yohen,” a technique of skillfully manipulating glazes to achieve striking effects. However, this work was not created in the Yohen style, but rather in sometsuke. This is because it was made by Shinichiro Baba himself during his career, at the time he founded the kiln. Through sometsuke, one of the most fundamental painting techniques in Arita ware, he expressed his artistic mastery. Since sometsuke works are rarely produced by the current Shinemon Kiln, this piece has now become an extremely rare example.

The vase itself has an octagonal form, softly faceted into eight sides. The gentle edges catch the light, creating shadows that add both quiet tension and refinement to the shape. This softened octagonal design combines sharpness with grace, imparting a modern impression to the surrounding space.

The painted subject, sansui (landscape), depicts natural scenery such as mountains, rivers, lakes, trees, and rocks, with little emphasis on the human presence. When humans or buildings are shown, they appear small, highlighting the grandeur of nature. Landscape painting has long been influenced by Daoism, Confucianism, and Zen Buddhism, all of which respect nature and seek harmony with it. Thus, sansui expresses philosophical and spiritual pursuits through depictions of nature. Beyond ceramics, this theme is also a central subject in traditional ink paintings on hanging scrolls, representing one of the most classical motifs in East Asian art.

From the perspective of technique, this vase showcases the sometsuke method, in which designs are painted onto the unglazed clay body before glazing. The flowing brushstrokes and delicate touches of this technique are perfectly suited to rendering the subtle world of landscape painting. Since the absorbent surface of the bisque-fired body does not allow for corrections, each brushstroke must be executed with precision in a single attempt. This piece embodies patience, concentration, and compositional skill, resulting in a truly accomplished work.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Ruri Blue | Shinemon Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 15.5 cm / Height: 16.7 cm
Width: 6.1 in / Height: 6.6 in

-----------------------
This is a work from Shinemon Kiln, one of the representative kilns of Arita ware.
The vase is adorned with mesmeriz ing crystalline patterns in a profound, captivating shade of blue (ruri), as if draw ing the viewer into its depths.

Shinemon Kiln is renowned as a leading master of the yohen technique, which requires exceptional skill in manipulating glazes. Yohen refers to the transformative phenomena that occur within the kiln, where the colors and patterns of the glaze shift in unpredictable yet naturally beautiful and mysterious ways.

The glaze used for this piece is called Ruri Suiteki (“lapis waterdrop”), distinguished by its vivid and profound blue tone. The deep indigo-blue crystals reflect the light, shimmering like droplets of water. expressing the essence of the “sea,” the source of life itself, this work conveys an impression of nobility and purity.

[About the Kiln | Shinemon Kiln]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Kinka-mon | Shinemon Kiln work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 14.8 cm / Height: 18 cm
Width: 5.8 in / Height: 7 in

-----------------------
This is a work from Shinemon Kiln, one of the representative kilns of Arita ware.
It is a vase adorned with the beautiful crystalline patterns of k inhana (golden flowers), evoking the image of golden blossoms in bloom.

Shinemon Kiln is renowned as a leading master of the yohen technique, which requires exceptional skill in manipulating glazes. Yohen refers to the phenomenon in the kiln where the glaze’s colors and patterns transform unpredictably, revealing a sense of natural beauty and mystery.

The glaze used for this piece is called kinhana-mon (gold-flower pattern). It is created by Blending various metals into the glaze and firing it so that golden-brown speckles appear on the surface. The result resembles radiant golden flowers blossom ing across the vessel. Elegant and refined, kinhana-mon imparts an atmosphere of dignity and sophistication, making this vase a truly graceful work of art.

[About the Kiln | Shinemon Kiln]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Sometsuke Sansui Landscape | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 15.5 cm / Height: 18.3 cm
Width: 6.1 in / Height: 7.2 in

-----------------------
This work was created by the late Shinichiro Baba, the first-generation founder of the Shinemon Kiln, one of the most renowned kilns representing Arita ware. On a small vase, he boldly painted a landscape (sansui) scene in traditional blue-and-white (sometsuke). The moderate size of the vessel, neither too large nor too small, allows it to embody quintessential Japanese aesthetics?quietude, dignity, and the beauty of wabi-sabi.

Today, the Shinemon Kiln is known as a leading studio in the art of yohen, a technique that masterfully manipulates glazes to achieve dramatic effects. However, this piece is not yohen but sometsuke. It was made by Shinichiro Baba himself during his career, at the time he founded the kiln. Through this fundamental Arita ware painting technique, he demonstrated his skill with a confident hand. Since sometsuke works are rarely produced by the Shinemon Kiln today, this piece stands as a rare and valuable example.

The slightly narrowed mouth of this medium-sized vase makes it ideal for present ing a single stem or blossom. Its refined form, while modest, enhances the natural beauty of flowers and brings a sense of calm and quietude to any space. When a simple flower is placed inside, vessel and nature blend harmoniously, inviting appreciation of the Japanese aesthetic of spaciousness and subtle beauty.

The depicted motif, sansui (landscape), features mountains, rivers, lakes, trees, and rocks, while human presence is minimal. When people or buildings are included, they are rendered small within the grandeur of nature. Landscape painting has been deeply influenced by Daoism, Confucianism, and Zen Buddhism philosophies that value harmony with nature. Thus, sansui art reflects these spiritual ideas, expressing a search for inner depth through depictions of the natural world. Beyond ceramics, it has long been a central theme in ink paintings and hanging scrolls, representing one of the most classical subjects in East Asian art.

From the perspective of technique, this work was executed in sometsuke, painting on the bisque-fired surface before glazing. The flowing strokes and delicate touches characteristic of sometsuke vividly capture the subtle world of landscape painting. Because the porous surface absorbs the brushwork immediately, no corrections can be made?each line must be completed in a single attempt. This piece, therefore, embodies patience, concentration, and compositional mastery, brought together in a work of remarkable accomplishment.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Bamboo-Shaped Vase Sometsuke Sansui Landscape | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 6.5 cm / Height: 21 cm
Width: 2.6 in / Height: 8.3 in

-----------------------
This is a work by the predecessor and first-generation master of Shinemon Kiln, Shinichiro Baba (posthumously Shinemon), one of the representative kilns of Arita ware. It is a vase in the form of a bamboo tube, boldly decorated with a landscape (sansui) scene in sometsuke (blue-and-white underglaze). Crafted with the refined techniques of Arita ware, the vessel captures the natural form of bamboo, embodying quintessential Japanese aesthetics such as tranquility, dignity, and wabi-sabi.

Today, Shinemon Kiln is renowned as a leader in the yohen technique, which requires exceptional skill in manipulating glazes. However, this piece is not yohen but sometsuke. This is because it was created by the founding master himself during his career. Through sometsuke, the fundamental painting technique of Arita ware, we can see how he demonstrated his technical mastery. Since Shinemon Kiln today rarely produces sometsuke works, this vase is a rare and valuable surviving piece.

Its form is unique: a tall, slender vessel modeled after a bamboo tube, ideal for use as an ichirin-zashi (single-flower vase). The elegant bamboo form, rendered through Arita craftsmanship, evokes both serenity and vitality, lending refined presence to a Japanese-style interior. When a single flower is placed inside, vessel and nature merge, creating a harmony enriched by the beauty of empty space.

The painted motif is sansui?landscape scenery featur ing mountains, rivers, lakes, trees, and rocks, with little emphasis on human presence. When people or buildings do appear, they are depicted as small within the vastness of nature. Landscape painting was deeply influenced by Chinese Daoism, Confucianism, and Zen Buddhism, all of which emphasize reverence for nature and the pursuit of harmony with it. Sansui reflects these philosophical and spiritual ideals, expressing the human quest for enlightenment through depictions of the natural world. This subject, long considered central in traditional art, appears not only in ceramics like this piece but also in ink paintings and hanging scrolls, making it a classic theme of East Asian aesthetics.

From the perspective of technique, this piece was executed in sometsuke. This involves painting directly onto the bisque-fired body before glazing. The flowing brushstrokes and delicate touch unique to this method vividly capture the refined world of landscape painting. Because the absorbent surface does not allow corrections, every brushstroke must be completed in one decisive motion. Patience, concentration, and compositional strength all come together in this finished work.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Bamboo-Shaped Vase Sometsuke Ume Plum Blossom Painting | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 6.5 cm / Height: 21 cm
Width: 2.6 in / Height: 8.3 in

-----------------------
This is a work by the predecessor and first-generation master of Shinemon Kiln, Shinichiro Baba (posthumously Shinemon), one of the representative kilns of Arita ware. It is a vase inspired by the form of a bamboo tube, boldly decorated with plum blossoms in sometsuke (blue-and-white underglaze). Crafted with the refined techniques of Arita ware, the vessel captures the natural form of “bamboo,” symbolizing quintessential Japanese aesthetics such as tranquility, dignity, and wabi-sabi.

Today, Shinemon Kiln is widely recognized as a leader in the yohen technique, which requires masterful control of glazes. However, this piece is not yohen but sometsuke. This is because it was created by the founding master himself during his career. The piece reveals how he expressed his artistry through sometsuke, the fundamental painting method of Arita ware. Since Shinemon Kiln rarely produces sometsuke works today, this vase is now a highly rare and valuable example.

The form itself is unique?a tall, slender vessel modeled after a bamboo tube, ideally suited for use as an ichirin-zashi (single-flower vase). With Arita craftsmanship capturing the elegance of bamboo, this refined piece embodies both serenity and vitality, lending a graceful presence to a Japanese-style space. When a single flower is placed within, vessel and nature blend into one, offer ing the beauty of generous negative space.

The decorative motif here is the plum blossom. blooming even in the harsh cold, the plum symbolizes “hope” and “new beginnings.” Traditionally cherished as an auspicious design, it also conveys meanings of “longevity,” “prosperity,” and “nobility.” Its fragile yet dignified presence resonates deeply with the Japanese sense of beauty, embodying wabi-sabi in this work.

From the perspective of technique, the decoration is executed in sometsuke. This involves painting onto the bisque-fired body before glazing. The flowing brushwork and distinctive touch unique to this method vividly express a delicate painterly world. Because the absorbent surface of the bisque does not allow corrections, every brushstroke must be made decisively in a single attempt. Patience, concentration, and compositional skill?all are combined to bring this piece to completion.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

[Shinichiro Baba's career is as follows ]
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Tea Bowl Aizome suiteki | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12.5 cm / Height: 6 cm
Width: 4.9 in / Height: 2.4 in

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. A masterpiece of matcha bowls used in tea ceremonies.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. This piece features the glaze called "Aizome Suiteki," with a beautiful gradient from blue to white, and is one of the representative glazes of the Shinemon kiln.The vivid and refreshing impression provides a sense of tranquility to the heart.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Cup "Ryokuei" Green Shadow | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Diameter: 8.5 cm / Height: 10.4 cm
Diameter: 3.3 in / Height: 4.1 in

[Capacity]
250 ml
8.5 fl oz

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. Named "Green Shadow," this piece beautifully contrasts black, white, and emerald green, creating a sense of depth that draws the viewer in.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Green Shadow," characterized by its glowing emerald green within the light and dark contrasts. The deep color composition provides various impressions each time it is used.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Mug Yume | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width (including handle): 11.5 cm / Diameter: 8.7 cm / Height: 10.2 cm
Width (including handle): 4.5 in / Diameter: 3.4 in / Height: 4 in

[Capacity]
250 ml
8.5 fl oz

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. The glaze named "Yume" (Dream) features a black-brown base with red overlay, expressing passion and hope.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Yume," and it expresses various kiln effects while exploring techniques that subtly change the color, shades, and gloss.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Sake set 1 pc Tokkuri bottle and 2 pcs Cups Yume | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Size of Bottle]
Diameter: 7.2 cm / Height: 15 cm
Diameter: 2.8 in / Height: 5.9 in

[Capacity of bottle]
360 ml
12.2 fl oz

[Size of Cup]
Diameter: 6.2 cm / Height: 4.6 cm
Diameter: 2.4 in / Height: 1.8 in

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. The glaze named "Yume" (Dream) features a black-brown base with red overlay, expressing passion and hope.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Yume," and it expresses various kiln effects while exploring techniques that subtly change the color, shades, and gloss. The sake set includes a tokkuri (sake bottle) that is rare among Shinemon's works, featur ing a vertical design. This vertical impression of the tokkuri enhances its image of "authenticity" and "luxury."

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Sake set 1 pc Tokkuri bottle and 2 pcs Cups Kirameki | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Size of Bottle]
Diameter: 9 cm / Height: 12.4 cm
Diameter: 3.5 in / Height: 4.9 in

[Capacity of bottle]
350 ml
11.8 fl oz

[Size of Cup]
Diameter: 6.4 cm / Height: 3 cm
Diameter: 2.5 in / Height: 1.2 in

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. The glaze named "Kirameki" features a brown-gold base, expressing a brilliance ak in to the sun. Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Kirameki," and it expresses various kiln effects while challenging techniques that subtly change the color, shades, and gloss. The sake cups included in this set are uniquely flat-shaped, and their blue decorations add a bewitch ing atmosphere for you to enjoy.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Sake set 1 pc Tokkuri bottle and 2 pcs Cups "Ryokuei" Green Shadow | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Size of Bottle]
Diameter: 9 cm / Height: 12 cm
Diameter: 3.5 in / Height: 4.7 in

[Capacity of bottle]
350 ml
11.8 fl oz

[Size of Cup]
Diameter: 6.5 cm / Height: 5 cm
Diameter: 2.6 in / Height: 2 in

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. Named "Green Shadow," this piece beautifully contrasts black, white, and emerald green, creating a sense of depth that draws the viewer in.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Green Shadow," characterized by its glowing emerald green within the light and dark contrasts. The deep color composition provides various impressions each time it is used.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Sake set 1 pc Tokkuri bottle and 2 pcs Cups Kinbeni-Tenmoku | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Size of Bottle]
Diameter: 9 cm / Height: 13 cm
Diameter: 3.5 in / Height: 5.1 in

[Capacity of bottle]
400 ml
13.5 fl oz

[Size of Cup]
Diameter: 6 cm / Height: 5.5 cm
Diameter: 2.4 in / Height: 2.2 in

-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware.The rare glaze known as 'Kinbeni-Tenmoku' is used, resulting in a captivating and deep finish that reveals more the longer you look at it.

The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. This piece was created by the previous head of the kiln, the first-generation Shinemon, together with the second-generation Shinemon (Kusuo Baba), as they cont inually challenged the world of glazes. The first-generation Shinemon, who once frequently used traditional Arita techniques such as sometsuke (blue and white porcelain), created this ambitious piece as he pursued his own unique vision, focusing on glazes.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

Shinichiro Baba's career is as follows :

Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Gourd Shape Some-Nishiki Sarasa-mon

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12.5 cm / Height: 25.5 cm
Width: 4.9 in / Height: 10 in

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Sakura Cherry Blossoms Purple | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 13.5 cm / Height: 15.5 cm
Width: 5.3 in / Height: 6.1 in

-----------------------------
This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. This beautiful small vase harmonizes Japan's national flower, the cherry blossom, with the lustrous purple overglaze characteristic of Arita ware. The delicate touch used to depict the cherry blossoms and the seigaiha (blue ocean wave) pattern in the background brings an unparalleled sense of nobility and happiness.

The production technique features both underglaze blue (sometsuke) and overglaze enamels (nishiki) painting. Underglaze blue (sometsuke) is a painting technique where designs are applied to the bisque-fired body before glazing. incontrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, including the overall composition of the painting.

Standing at a height of 15.5 cm, this small vase is also ideal as a gift. Despite its small size, this vase is a masterpiece that embodies the pinnacle of craftsmanship in potter's wheel, painting, and firing techniques.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Gourd Shape Kingyo Goldfish Platinum Color Ryusui | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12.7 cm / Height: 22.9 cm
Width: 5 in / Height: 9 in

-----------------------------
This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. This small piece depicts goldfish, symbolizing wealth and prosperity, swimming gracefully on a vase shaped like a gourd, known as "Hisago-gata," an auspicious shape. The contrast between the blue and red of the goldfish and the silver color called platinum glaze makes this piece stand out with a strong presence.

The goldfish motif holds various positive meanings, especially in Japanese and Chinese cultures, symbolizing "wealth and prosperity," "happiness and good fortune," and "abundance and fertility." Goldfish are considered symbols of wealth and prosperity because their name evokes the image of "gold." Especially in Chinese culture, the pronunciation of "goldfish" (金魚) is similar to "abundance of gold" (金余), symbolizing a wish for wealth and an abundance of riches.
Additionally, goldfish swimming gracefully in water are also symbols of purification and purity. The water depicted in platinum glaze itself signifies purity and purification, and the image of goldfish swimming symbolizes the cleansing of the heart and the bringing of spiritual purity.

in addition, it has a unique shape known as "Hisago-gata," which is modeled after a gourd. Since ancient times, gourds have been considered symbols of "abundance and prosperity" as well as "harmony and stability," making them a representative form of auspicious shapes. The round shape of the gourd symbolizes abundance and prosperity, which is why it represents "wealth and prosperity." The widened lower part signifies "hold ing many things," symbolizing an increase in wealth and happiness. Additionally, the gourd's shape is considered a symbol of "harmony and stability" due to its balanced proportions. It is favored as an auspicious object, wishing for harmony in family and human relationships.

With a height of 22.9 cm and a relatively small width, this compact piece is popular for its ability to harmonize well with modern Living spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the pinnacle of craftsmanship in potter's wheel, painting, and firing techniques.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Ryu Dragon Tessuyu | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.5 cm / Height: 15 cm
Width: 6.5 in / Height: 5.9 in

-----------------------------
This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. This piece depicts a majestic dragon soar ing through the sky, symbolizing prosperity, wisdom, courage, and various other positive attributes. Despite its small size, this piece stands out with a strong presence.

The dragon is a highly significant symbol in Asian culture, embodying various positive meanings. in particular, in Ch ina and Japan, the dragon is revered as a sacred and powerful entity, hold ing many symbolic meanings.
First and foremost, the dragon is a symbol of "prosperity and good fortune." in Chinese culture, dragons are particularly believed to bring wealth and success. Decorative items and paintings depicting dragons are widely cherished as auspicious items that attract good fortune. Next, the dragon is also a symbol of "wisdom and knowledge." in Chinese legends, dragons are often depicted as wise beings possess ing deep knowledge and are revered as entities that bestow wisdom. Additionally, the dragon is a symbol of "courage and boldness." Dragons are believed to possess the strength to face any challenge and overcome adversity, inspiring courage with their unwavering determ ination.

From the perspective of production techniques, this masterpiece features a bold and elegant dragon painted against a black background with iron glaze, using the luxurious gold and platinum glazes. Standing at a height of 14.5 cm, this compact vase is popular for its size, which harmonizes well with modern Living spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the pinnacle of craftsmanship in potter's wheel, painting, and firing techniques.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Koi Carp Platinum Color Ryusui | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.6 cm / Height: 14.3 cm
Width: 6.5 in / Height: 5.6 in

-----------------------------
This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. This small vase depicts the elegant swimming of koi fish, which symbolize wealth and prosperity. The contrast between the blue and red of the koi fish and the silver color called platinum glaze makes this piece stand out with a strong presence.

Koi fish are cherished worldwide as ornamental fish due to their beautiful appearance and strength. Particularly in Japanese and Chinese cultures, koi fish are known as symbols with various positive meanings. They symbolize "prosperity and wealth," "longevity and health," and "strength and perseverance," among other positive attributes.

As a symbol of "prosperity and wealth," koi fish are associated with their vibrant colors and high value, representing abundance and financial success. Especially golden and red koi are believed to attract good fortune and wealth, making them popular symbols for wishing for prosperity and success. This piece also features a vividly depicted red koi.
As a symbol of "longevity and health," koi fish also represent long life. Since koi fish themselves are known for their long lifespan, they are also considered symbols of longevity and health. The koi motif is often chosen particularly when praying for health and longevity.
As a symbol of "strength and perseverance," there is a Chinese legend that a koi fish that successfully climbs a waterfall will transform into a dragon. This legend makes koi a symbol of strength and endurance. As a symbol of the power to overcome difficulties, koi fish embody the meaning of supporting and encouraging those who strive and persevere.

Additionally, koi fish swimming gracefully in the water are also symbols of purification and purity. The water depicted with platinum glaze symbolizes purity and purification. The image of koi swimming brings a sense of cleansing and spiritual clarity.

Standing at a compact height of 14.3 cm, this small vase is popular for its size, which harmonizes well with modern Living spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the pinnacle of craftsmanship in potter's wheel, painting, and firing techniques.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Kingyo Goldfish Tetsuyu | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 18.7 cm / Height: 14.5 cm
Width: 7.4 in / Height: 5.7 in

-----------------------------
This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. This small vase depicts the elegant swimming of goldfish, symbolizing wealth and prosperity. The contrast between the three-colored goldfish and the black iron glaze, known as tetsuyu, makes this small vase stand out with a strong presence.

The goldfish motif holds various positive meanings, especially in Japanese and Chinese cultures, symbolizing "wealth and prosperity," "happiness and good fortune," and "abundance and fertility." Goldfish are considered symbols of wealth and prosperity because their name evokes the image of "gold." Especially in Chinese culture, the pronunciation of "goldfish" (金魚) is similar to "abundance of gold" (金余), symbolizing a wish for wealth and an abundance of riches.
Additionally, goldfish swimming gracefully in water are also symbols of purification and purity. The image of goldfish swimming brings a sense of purification and spiritual clarity.

Standing at a compact height of 14.5 cm, this small vase is popular for its size, which harmonizes well with modern Living spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the pinnacle of craftsmanship in potter's wheel, painting, and firing techniques.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Small Vase Sakura Cherry Blossoms Gold | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 12.5 cm / Height: 23 cm
Width: 4.9 in / Height: 9.1 in

-----------------------------
This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. The contrast between Japan's national flower, the cherry blossom, and the radiant gold is beautiful. The delicate touch with which the cherry blossoms are depicted and the unique harmony of the golden hues make this piece stand out prominently. The paint used for the gold parts is highly valuable, making this piece truly luxurious and splendid.

The production technique features both underglaze blue (sometsuke) and overglaze enamels (nishiki) painting. Underglaze blue (sometsuke) is a painting technique where designs are applied to the bisque-fired body before glazing. incontrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, including the overall composition of the painting.

With a height of 23 cm and a relatively small width, this compact piece is popular for its ability to harmonize well with modern Living spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the pinnacle of craftsmanship in potter's wheel, painting, and firing techniques.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Kingyo Goldfish Platinum Color Ryusui | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 19 cm / Height: 20.8 cm
Width: 7.5 in / Height: 8.2 in

--------------------
This is a work by Kinsai Fujii, a leading master in the art of Arita ware.
It is a medium-sized vase depicting graceful goldfish swimming elegantly. The contrast between the vivid blue and red of the goldfish and the silver tones of *platinum decoration* (*purachina-zai*) gives this piece a striking presence.

The motif of goldfish carries auspicious meanings, especially in Japanese and Chinese culture, symbolizing “wealth and prosperity,” “happiness and good fortune,” and “fertility and abundance.” The word *kingyo* (“goldfish”) itself evokes “gold,” making it a natural emblem of prosperity. in Chinese culture in particular, the pronunciation of *kingyo* (金魚) is identical to “abundant gold” (金余), expressing the wish for a life of overflowing wealth.
in addition, goldfish swimming gracefully in water are regarded as symbols of purity and purification. The water itself, expressed here in platinum decoration, represents clarity and cleansing. Together, the imagery of swimming goldfish suggests the purification of the spirit and inner serenity.

Standing 20.8 cm tall, this vase is neither too large nor too small, making it an ideal size for modern Living spaces. It is highly recommended as a refined and versatile piece that harmonizes beautifully with contemporary interiors.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Gourd Shape Somestuke Sansui Landscape | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 18 cm / Height: 19.2 cm
Width: 7.1 in / Height: 7.6 in

-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a small, auspicious gourd-shaped vase adorned with a Sansui landscape painting.

The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.

Firstly, it has a unique shape known as "Hisago-gata," which is modeled after a gourd. Since ancient times, gourds have been considered symbols of "abundance and prosperity" as well as "harmony and stability," making them a representative form of auspicious shapes. The round shape of the gourd symbolizes abundance and prosperity, which is why it represents "wealth and prosperity." The widened lower part signifies "hold ing many things," symbolizing an increase in wealth and happiness. Additionally, the gourd's shape is considered a symbol of "harmony and stability" due to its balanced proportions. It is favored as an auspicious object, wishing for harmony in family and human relationships.

The depicted "Sansui" refers to landscape paintings that primarily feature natural scenery such as mountains, rivers, lakes, trees, and rocks, with little emphasis on human presence. When humans or buildings are depicted, they are portrayed small, emphasiz ing the vastness of nature. Sansui paintings are heavily influenced by Daoism, Confucianism, and Zen Buddhism from Ch ina. These philosophies emphasize respect for nature and the pursuit of harmony with the natural world. Sansui paintings reflect this philosophical and religious background, expressing human spiritual harmony through nature. Besides ceramics, Sansui is often depicted in ink wash paintings on hanging scrolls, making it a classic subject in the world of traditional art.

From the perspective of production techniques, this piece is created using the sometsuke (blue and white porcelain) technique. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. The unique brushwork and touch of the sometsuke technique allow for a more delicate expression of the Sansui landscape. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. in other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

Shinichiro Baba's career is as follows :

Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Sometsuke Karako Children | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 25 cm / Height: 30 cm
Width: 9.8 in / Height: 11.8 in

-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a piece depicting scenes of children, known as Karako, play ing in a Chinese style.

The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.

The depicted Karako, with their innocent and joyful appearances, symbolize prosperity and happiness. These images have been widely incorporated into Japanese paintings and crafts. The background of this piece reflects the cultural influences from Ch ina and the uniquely Japanese desire for happiness and prosperity. The depiction of Karako is still beloved by many people today, highly valued for its beauty that symbolizes "prosperity and fertility" as well as "happiness and longevity."

From the perspective of production techniques, this piece is created using the sometsuke (blue and white porcelain) technique. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. The unique brushwork and touch of the sometsuke technique allow for a more delicate expression of the Sansui landscape. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. in other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

Shinichiro Baba's career is as follows :

Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Ginga Deep Blue | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 18.5 cm / Height: 21.8 cm
Width: 7.3 in / Height: 8.6 in

-----------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. The glaze named "Ginga" (Galaxy) expresses the mystique of a summer night sky.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Ginga" (Galaxy), a type of oil spot tenmoku glaze uniquely developed by the Shinemon Kiln. It is a glaze that expresses the Milky Way, adorn ing the mystical summer night sky. Its deep and serene beauty, reminiscent of stars sh in ing in the night sky, has been well received. At Shinemon Kiln, various worlds of the galaxy are expressed by manipulating the size, color, and distribution of the Ginga glaze's spots. Please enjoy the mystical and fantastical world of the galaxy.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Ruri Blue | Kusuo Baba's work in Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 22.7 cm / Height: 24 cm
Width: 8.9 in / Height: 9.4 in

-----------------------------
Works by Kusuo Baba, the second-generation head of the Shinemon Kiln, which represents Arita ware. It is a beautiful vase with deep, mesmeriz ing blue (lapis lazuli) crystals.

Shinemon Kiln is a leader in the technique of "Yohen," which skillfully manipulates glazes. This piece is created by the current head of the kiln, Kusuo Baba himself. Yohen is a phenomenon where the color and patterns of the glaze change inside the kiln, allowing one to see the natural beauty and mystique. The glaze used in this piece is called "Rurisuishiteki," characterized by its deep and vivid blue. This glaze, with its deep blue crystals, reflects light and shines like water droplets. This piece, representing the "ocean" as the source of life, gives an impression of nobility and purity.

[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

Kusuo Baba's career is as follows :

Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Some-Nishiki Himawari (Sunflower) | Fujii Shoun's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 27.5 cm / Height: 24.5 cm
Width: 10.8 in / Height: 9.6 in

-----------------------------
This is a work by Shoun Fujii, a leading figure in the art of Arita porcelain. This masterpiece features a gently and softly painted depiction of sunflowers in full bloom on a summer day. The vibrant yellow sunflowers, brimm ing with individuality, bloom in the height of summer, making this an energetic and lively piece.

As indicated by the product name "Some-Nishiki," both the underglaze blue (sometsuke) and overglaze enamels (nishiki) techniques are used. Underglaze blue (sometsuke) is a painting technique where designs are applied to the bisque-fired body before glazing. incontrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, including the overall composition of the painting.

This is a large masterpiece, Standing 24.5 cm tall, embodying the pinnacle of techniques accumulated in Arita.

[Potter Profile]
Shoun Fujii

The meticulously finished piece is entirely hand-painted. Each stroke is crafted with immense patience and passion. Luxurious large jars have been delivered multiple times to Oman, and Fujii's works are still displayed in the Omani royal palace.

Shoun Fujii's career is as follows :

Born in 1938 in Arita, Saga Prefecture
in 1954, became a master craftsman at Seiun Kiln and studied under Kuniyuki Fujii
in 1983, became independent and established Shoun Kiln

[Main Awards]
Since 1986 to the present, he has received numerous awards in exhibitions:

Selected for the Nish inippon Ceramic Art Exhibition
Selected for the Saga Prefectural Art Association Exhibition
Selected for the Kyushu New Craft Exhibition
Saga Prefectural Ceramic Art Association Award
Tokyo Gallery Special Prize from the World Peace Art Association
Excellent Prize as a recommended artist at the Kokubi Art Exhibition
Grand Prize at the Japan-Italy Feast Art Label
Franco-Japanese Cultural and Art Award at the Millet Bicentennial Art Festival

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Some-Nishiki Tsubaki and Uguisu (Camellia and Nightingale) | Fujii Shoun's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 25.7 cm / Height: 34.8 cm
Width: 10.1 in / Height: 13.7 in

This is a work by Shoun Fujii, a leading figure in the art of Arita porcelain. This is a masterpiece delicately depicting camellias and warblers with a gentle and soft touch. This scene portrays warblers playfully enjoy ing themselves in a garden full of blooming camellias, heralding the arrival of spring. The painting depicts a scene that, even amidst the crisp air, evokes a sense of the impend ing arrival of spring.

As indicated by the product name "Some-Nishiki," both the underglaze blue (sometsuke) and overglaze enamels (nishiki) techniques are used. Underglaze blue (sometsuke) is a painting technique where designs are applied to the bisque-fired body before glazing. incontrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, including the overall composition of the painting.

This is a large masterpiece, Standing 34.8 cm tall, embodying the pinnacle of techniques accumulated in Arita.

[Potter Profile]
Shoun Fujii

The meticulously finished piece is entirely hand-painted. Each stroke is crafted with immense patience and passion. Luxurious large jars have been delivered multiple times to Oman, and Fujii's works are still displayed in the Omani royal palace.

Shoun Fujii's career is as follows :

Born in 1938 in Arita, Saga Prefecture
in 1954, became a master craftsman at Seiun Kiln and studied under Kuniyuki Fujii
in 1983, became independent and established Shoun Kiln

[Main Awards]
Since 1986 to the present, he has received numerous awards in exhibitions:

Selected for the Nish inippon Ceramic Art Exhibition
Selected for the Saga Prefectural Art Association Exhibition
Selected for the Kyushu New Craft Exhibition
Saga Prefectural Ceramic Art Association Award
Tokyo Gallery Special Prize from the World Peace Art Association
Excellent Prize as a recommended artist at the Kokubi Art Exhibition
Grand Prize at the Japan-Italy Feast Art Label
Franco-Japanese Cultural and Art Award at the Millet Bicentennial Art Festival

ARITA LUXURY | View the Finest Arita Ware Collection >

Mt.Fuji and Cranes Gold Leaf Decorative Plate 19cm | Tatsuro Ono's work in Kozan Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 19 cm
Width: 7.5 in

-----------------------
**“Soar ing Cranes and Red Fuji” ? Decorative Plate**

A breathtaking fusion of gold, platinum, and iridescent foil brings to life a world of fantasy unlike any other. This masterpiece by Tatsuro Ono showcases an unparalleled originality within the realm of Arita ware. Ono's technique combines vivid glazes with delicately applied metal foils?most notably gold and other colored foils, which are the true essence of his artistry.

These color foils are created by repeatedly hammering base metals until they become wafer-thin?so delicate they could fly away with a breath. Each piece is carefully adhered using natural lacquer and then fired at a low temperature of around 200°C. The result is a work that demands extraordinary patience and craftsmanship.

Because each foil must be applied one by one by hand and cannot be layered all at once, multi-colored foil works are especially intricate and time-consuming. Furthermore, the natural lacquer must be at just the right stage of dry ing when the foil is applied, requiring precise tim ing and expert handling honed through years of experience.

This decorative plate features a majestic red Mount Fuji as the backdrop for a group of gracefully soar ing cranes, all rendered in radiant gold, silver, and platinum hues. in Japanese tradition, the red Fuji symbolizes auspicious fortune, while cranes are revered symbols of longevity and bless ing. The golden sky in the background captures the energy of a ris ing sun, expressing hope for new beginnings and prosperity.

The glimmer ing surface, adorned with foil and gold accents, reflects light beautifully and offers a different impression from every angle. This exquisite piece is ideal not only as a luxurious gift but also as a meaningful addition to your own interior to commemorate a special milestone. A vibrant, refined plate that embodies the elegance of Japanese tradition and auspicious symbolism.

[Artist Profile]
Tatsuro Ono (Kozan Kiln)

[Message from the Artist]
At Kozan Kiln, I have long been captivated by the brilliance of kinrande (gold-decorated ware). Over time, I began incorporating not only gold foil but also lesser-used materials such as platinum foil, jewel beetle (tamamushi) foil, blue shell foil, and iridescent foil. My goal is to "paint with foil" and bring out a beauty unlike any other. I hope to continue creating works that bring joy to many.

[Ceramic Art Career Highlights]
* Selected for the National Traditional Crafts Exhibition
* Selected for the Kyushu-Yamaguchi Ceramics Exhibition
* Selected for the Saga Prefectural Art Association Exhibition
* Selected for the Saga Prefectural fine Arts Exhibition
* Awarded the Special Committee Prize at the Saga fine Arts Exhibition
* ...and many more.

ARITA LUXURY | View the Finest Arita Ware Collection >

Wall Decoration Mt. Fuji Gold Leaf Small | Tatsuro Ono's work in Kozan Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Length: 28.5 cm / Width: 32.5 cm
Length: 11.2 in / Width: 12.8 in

-----------------------
A uniquely fantastical beauty woven from gold, platinum, and iridescent foils this ceramic framed artwork of Mt. Fuji is a masterpiece by Tatsuro Ono, renowned for his unparalleled originality within the world of Arita ware.

Ono’s signature technique involves both traditional glazing and the meticulous application of ultra-thin foils such as gold, silver, platinum, and iridescent foil. These color foils, created by hammering base metals hundreds of times until they are thinner than a breath, are then carefully applied by hand using natural lacquer as an adhesive. The work is fired at a low temperature of around 200°C to set the design. This demanding process requires immense patience and precision.

Since different colored foils cannot be applied simultaneously, each must be attached one at a time during the brief moment when the lacquer reaches the ideal semi-dry state. This intricate procedure calls for both refined skill and seasoned experience.

in this particular work, various foils gold, silver, platinum, and iridescent are layered delicately to depict the majestic form of Mt. Fuji. The shimmering sky, the hazy ridgelines, and the elegant curves of clouds and pines are all rendered with the soft luster and depth unique to foil decoration.

Each piece is entirely handmade and one-of-a-Kind, offer ing a different visual impression depending on the lighting and time of day. This artwork is a harmonious fusion of traditional Japanese sensibility and refined elegance ideal as a sophisticated interior accent, gift, or commemorative piece.

[Artist Profile]
Tatsuro Ono (Kozan Kiln)

[Message from the Artist]
At Kozan Kiln, I have long been captivated by the brilliance of kinrande (gold-decorated ware). Over time, I began incorporating not only gold foil but also lesser-used materials such as platinum foil, jewel beetle (tamamushi) foil, blue shell foil, and iridescent foil. My goal is to "paint with foil" and bring out a beauty unlike any other. I hope to continue creating works that bring joy to many.

[Ceramic Art Career Highlights]
* Selected for the National Traditional Crafts Exhibition
* Selected for the Kyushu-Yamaguchi Ceramics Exhibition
* Selected for the Saga Prefectural Art Association Exhibition
* Selected for the Saga Prefectural fine Arts Exhibition
* Awarded the Special Committee Prize at the Saga fine Arts Exhibition
* ...and many more.

ARITA LUXURY | View the Finest Arita Ware Collection >

Wall Decoration Mt. Fuji Gold Leaf Large | Tatsuro Ono's work in Kozan Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Length: 31.3 cm / Width: 38.3 cm
Length: 12.3 in / Width: 15.1 in

-----------------------
A One-of-a-Kind Vision of Fantasy: The Iridescent Elegance of Gold, platinum, and Color Foils.
This ceramic framed artwork of Mt. Fuji, created by master artisan Tatsuro Ono of Kozan Kiln, exemplifies unparalleled originality in the world of Arita ware.

Ono’s hallmark lies in his use of haku ultra-thin metallic foils such as gold, platinum, silver, and iridescent foil to create vivid visual expressions. These foils, pa instak ingly beaten and extended hundreds of times until thinner than breath, are carefully applied by hand using natural lacquer as an adhesive. Each foil must be affixed individually, requiring exceptional precision and experience, as the lacquer must reach a precise semi-dry state for proper adhesion. After application, the work is fired at a low temperature of around 200°C to set the design making the process both time-consuming and highly intricate.

This particular piece showcases Mt. Fuji depicted entirely through layered gold, platinum, silver, and iridescent foils. The sunlit sky sparkles, the mountain ridges gently fade into the mist, and even the silhouettes of clouds and p ine trees curve with grace all rendered in the soft luster and depth unique to foil work.

Each piece is handmade and entirely unique, offer ing a different visual experience depending on the angle, time of day, or lighting. It is a superb work of art that blends traditional Japanese elegance with luxurious refinement an exceptional choice for interior display, gifting, or commemorative occasions.

[Artist Profile]
Tatsuro Ono (Kozan Kiln)

[Message from the Artist]
At Kozan Kiln, I have long been captivated by the brilliance of kinrande (gold-decorated ware). Over time, I began incorporating not only gold foil but also lesser-used materials such as platinum foil, jewel beetle (tamamushi) foil, blue shell foil, and iridescent foil. My goal is to "paint with foil" and bring out a beauty unlike any other. I hope to continue creating works that bring joy to many.

[Ceramic Art Career Highlights]
* Selected for the National Traditional Crafts Exhibition
* Selected for the Kyushu-Yamaguchi Ceramics Exhibition
* Selected for the Saga Prefectural Art Association Exhibition
* Selected for the Saga Prefectural fine Arts Exhibition
* Awarded the Special Committee Prize at the Saga fine Arts Exhibition
* ...and many more.

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Small Murasaki kinsai sakura-e Purple cherry blossoms | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 16.5 cm / Height: 14.3 cm
Width: 6.5 in / Height: 5.6 in

-----------------------------
This piece is by Kinsei Fujii, a leading figure in the world of Arita ware artistry.

A graceful small vase, it harmoniously blends Japan’s national flower "the cherry blossom" with the lustrous purple glaze characteristic of Arita porcelain. The delicately painted sakura and the subdued purple background evoke an impression of refined elegance and quiet happiness.

The piece employs both *sometsuke* (underglaze painting) and *akae* (overglaze enamel ing) techniques. *Sometsuke* involves painting directly onto the unglazed, bisque-fired body before the final glaze application, while *akae* refers to adding vivid colors like red or green on top of the already glazed and fired surface. Comb in ing these techniques requires a high level of skill and compositional balance.

At 14.3 cm in height, this compact vase is perfect as a gift. Though small in size, it is a masterpiece that encapsulates the finest craftsmanship in wheel-throwing, painting, and kiln firing.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Small Tetsuyu koi-e Carp | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 18.8 cm / Height: 14.8 cm
Width: 7.4 in / Height: 5.8 in

-----------------------------
This piece is by Kinsei Fujii, a renowned master in the world of Arita ware artistry.

A compact vase, it features an elegant depiction of two *nishikigoi* (ornamental carp), symbols of wealth and prosperity, gracefully swimming across the surface. The contrast between the vivid red-and-white koi and the deep black background rendered in *tetsuy* (iron glaze) gives this small piece a striking presence.

*Nishikigoi* are celebrated worldwide for their beauty and vitality, and in Japanese and Chinese cultures, they carry deep symbolic meanings?such as “prosperity and wealth,” “longevity and health,” and “strength and perseverance.”

* As a symbol of **prosperity and wealth**, the koi’s vivid colors and high value have made it a traditional emblem of success. Red and gold koi, in particular, are associated with good fortune and financial abundancethis work prominently features a red koi to embody that significance.
* For **longevity and health**, koi are revered as long-Living creatures, and their inclusion in art is often a wish for a long, healthy life.
* Regard ing **strength and perseverance**, a Chinese legend tells of koi swimming upstream and transforming into dragons after conquering a waterfall?making them a fitt ing symbol for resilience and personal triumph.

in addition, the koi’s graceful movement through water evokes feelings of purity and spiritual cleansing. The water, rendered in a soft platinum glaze, symbolizes clarity and renewal, enhancing the piece’s serene aesthetic.

Standing at 14.8cm tall, this vase fits harmoniously into modern interiors. Its modest size and auspicious motif make it a popular choice for gifts or as a tasteful decorative accent. Meticulously crafted through expert wheel-throwing, painting, and firing techniques, this is a true masterpiece of refined craftsmanship.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Large Ogon sakura Gold Cherry Blossoms | Fujii Kinsai's work

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 28.5 cm / Height: 35.5 cm
Width: 11.2 in / Height: 13.9 in

--------------------

This is a work by Kinsai Fujii, a leading ceramic artist in the creation of Arita porcelain art. The contrast between Japan's national flower, the cherry blossom, and the radiant gold is beautiful. The delicate touch with which the cherry blossoms are depicted and the unique harmony of the golden hues make this piece stand out prominently. The paint used for the gold parts is highly valuable, making this piece a truly magnificent and luxurious masterpiece.

The production technique features both underglaze blue (sometsuke) and overglaze enamels (nishiki) painting. Underglaze blue (sometsuke) is a painting technique where designs are applied to the bisque-fired body before glazing. incontrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, including the overall composition of the painting.

This is a masterpiece of a large vase, 35.5 cm in height, crafted with the finest techniques of potter's wheel, painting, and firing.

[Potter Profile]
Kinsai Fujii

Kinsai Fujii's works are characterized by their luxurious finish using the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and platinum, as well as traditional Arita nishiki colors like red, green, and purple, showcasing strong individuality in their creations

Kinsai Fujii's career is as follows :

Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throwing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Living National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "Kinsai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "Kinsai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide Since 1999.

[Main Awards]

Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, Minister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Large Sometsuke sansui | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 34.5 cm / Height: 34 cm
Width: 13.5 in / Height: 13.3 in

-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a large masterpiece depicting a grand landscape painting on a white porcelain vase.

The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.

The depicted "Sansui" refers to landscape paintings that primarily feature natural scenery such as mountains, rivers, lakes, trees, and rocks, with little emphasis on human presence. When humans or buildings are depicted, they are portrayed small, emphasiz ing the vastness of nature. Sansui paintings are heavily influenced by Daoism, Confucianism, and Zen Buddhism from Ch ina. These philosophies emphasize respect for nature and the pursuit of harmony with the natural world. Sansui paintings reflect this philosophical and religious background, expressing human spiritual harmony through nature. Besides ceramics, Sansui is often depicted in ink wash paintings on hanging scrolls, making it a classic subject in the world of traditional art.

From the perspective of production techniques, this piece is created using the sometsuke (blue and white porcelain) technique. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. The unique brushwork and touch of the sometsuke technique allow for a more delicate expression of the Sansui landscape. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. in other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

Shinichiro Baba's career is as follows :

Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Round shape Tako karakusa | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 27 cm / Height: 26.5 cm
Width: 10.6 in / Height: 10.4 in

-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a masterpiece meticulously adorned with intricate octopus tentacles vine patterns known as "Tako Karakusa,"

The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.

The depicted "Tako Karakusa" is one of the traditional patterns in Japanese ceramics. This pattern has several distinctive features. Spiral lines resembling octopus tentacles are drawn across the entire surface of the ceramic piece.
The continuous arrangement of these spiral patterns creates a unique, rhythmic design. Although it is an ancient pattern, Tako Karakusa is often incorporated into modern designs. It possesses traditional beauty while also fitt ing modern sensibilities in its design. The Tako Karakusa pattern is highly regarded not only in Japan but also around the world for its delicate and beautiful design. By preserving traditional techniques while pursuing new forms of expression, it continues to be cherished across generations.

From the perspective of production techniques, this piece is crafted using the "Gosu Sometsuke" technique, which emulates the colors of ancient times. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. in other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

Shinichiro Baba's career is as follows :

Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Vase Large Tako karakusa | The first-generation head of the Shinemon Kiln

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[size]
Width: 29.5 cm / Height: 44 cm
Width: 11.6 in / Height: 17.3 in

-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a masterpiece meticulously adorned with intricate octopus tentacles vine patterns known as "Tako Karakusa,"

The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.

The depicted "Tako Karakusa" is one of the traditional patterns in Japanese ceramics. This pattern has several distinctive features. Spiral lines resembling octopus tentacles are drawn across the entire surface of the ceramic piece.
The continuous arrangement of these spiral patterns creates a unique, rhythmic design. Although it is an ancient pattern, Tako Karakusa is often incorporated into modern designs. It possesses traditional beauty while also fitt ing modern sensibilities in its design. The Tako Karakusa pattern is highly regarded not only in Japan but also around the world for its delicate and beautiful design. By preserving traditional techniques while pursuing new forms of expression, it continues to be cherished across generations.

From the perspective of production techniques, this piece is crafted using the "Gosu Sometsuke" technique, which emulates the colors of ancient times. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. in other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.

[Potter Profile]
Shinichiro Baba (deceased)

The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association

Shinichiro Baba's career is as follows :

Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.

[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."

ARITA LUXURY | View the Finest Arita Ware Collection >

Tea set for Green Tea 1 pc Teapot and 5 pcs Cups Nabeshima sansui Landscape

Japanese Pottery in Tokyo — 2026-08-26T16:12:55+09:00

[Cup size]
Width: 8.5 cm / Height: 6.3 cm
Width: 3.3 in / Height: 2.5 in

[Teapot size] Width:
Width: 12.3 cm / Length:16.2 cm / Height: 11 cm
Width: 4.8 in / Length:6.4 in / Height: 4.3 in

[Capacity of teapot]
670 ml
22.7 fl oz

ARITA LUXURY | View the Finest Arita Ware Collection >