Vase Somenishiki Botan Peony flower | Fukuji Kitamura Traditional Craftsperson work [264013]
Price: 330,000JPY
Weight: 6000g
Width: 25.5cm / Height: 30.5cm
Width: 10in / Height: 12in
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A Masterwork by Fukuji Kitamura ? A Leading Artisan in the Art of Arita Ware
This grand porcelain vase is the work of Fukuji Kitamura, a master of overglaze painting and a designated Traditional Craftsman who has long embodied both the tradition and innovation of Arita ware. Though now retired from active production due to age, Kitamura’s works continue to captivate viewers. His artistry, refined through years of dedication and a unique sensibility, stands as a lasting testament to timeless beauty.
This magnificent vase is adorned with a stunning display of peonies?so lavishly painted that it evokes the image of a kaleidoscope. Since ancient times, the peony has been celebrated as the “King of Flowers,” symbolizing wealth, elegance, and auspiciousness. Rendered in a palette of purples, pinks, and soft browns, the blossoms convey the atmosphere of a flourishing garden at the height of its beauty.
The background features a lattice motif overlaid with gilded arabesque patterns, enhancing the sense of splendor and refinement. The harmony between vibrant ornamentation and graceful design makes this piece perfectly suited for contemporary interiors.
With its seamless blend of tradition, dignity, and masterful technique, this vase brings an air of noble elegance to any setting?be it Japanese or Western in style.
[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman
A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture
An overglaze painter is the one who brings life to the pristine white surface of porcelain.
Using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.
Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze Painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward
Known for his representative masterpiece series: T?kaid? Goj?santsugi (The 53 Stations of the T?kaid?)
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 Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works. |
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