Small Vase Sakura Cherry Blossoms Gold | Fujii Kinsai's work [217091]
Small Vase Sakura Cherry Blossoms Gold | Fujii Kinsai's work
[217091]
Price: 132,000JPY
Weight: 2000g
Sold out
[size]
Width: 12.5 cm / Height: 23 cm
Width: 4.9 in / Height: 9.1 in
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This is a work by K insai Fujii, a lead ing ceramic artist in the creation of Arita porcela in art. The contrast between Japan's national flower, the cherry blossom, and the radiant gold is beautiful. The delicate touch with which the cherry blossoms are depicted and the unique harmony of the golden hues make this piece stand out prom inently. The pa int used for the gold parts is highly valuable, mak ing this piece truly luxurious and splendid.
The production technique features both underglaze blue (sometsuke) and overglaze enamels (nishiki) pa int ing. Underglaze blue (sometsuke) is a pa int ing technique where designs are applied to the bisque-fired body before glaz ing. in contrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, includ ing the overall composition of the pa int ing.
With a height of 23 cm and a relatively small width, this compact piece is popular for its ability to harmonize well with modern liv ing spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the p innacle of craftsmanship in potter's wheel, pa int ing, and fir ing techniques.
[Potter Profile]
K insai Fujii
K insai Fujii's works are characterized by their luxurious f inish us ing the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and plat inum, as well as traditional Arita nishiki colors like red, green, and purple, showcas ing strong individuality in their creations
K insai Fujii's career is as follows :
Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throw ing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Liv ing National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "K insai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "K insai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide s ince 1999.
[Ma in Awards]
Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, M inister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others
Width: 12.5 cm / Height: 23 cm
Width: 4.9 in / Height: 9.1 in
-----------------------------
This is a work by K insai Fujii, a lead ing ceramic artist in the creation of Arita porcela in art. The contrast between Japan's national flower, the cherry blossom, and the radiant gold is beautiful. The delicate touch with which the cherry blossoms are depicted and the unique harmony of the golden hues make this piece stand out prom inently. The pa int used for the gold parts is highly valuable, mak ing this piece truly luxurious and splendid.
The production technique features both underglaze blue (sometsuke) and overglaze enamels (nishiki) pa int ing. Underglaze blue (sometsuke) is a pa int ing technique where designs are applied to the bisque-fired body before glaz ing. in contrast, overglaze enamels (nishiki) is a technique where vivid colors such as red and green are added to the glazed and fired body. Both underglaze blue (sometsuke) and overglaze enamels (nishiki) have their own challenges. Comb in ing these techniques requires exceptionally high skill, includ ing the overall composition of the pa int ing.
With a height of 23 cm and a relatively small width, this compact piece is popular for its ability to harmonize well with modern liv ing spaces. It is also ideal as a gift or for special occasions. This masterpiece embodies the p innacle of craftsmanship in potter's wheel, pa int ing, and fir ing techniques.
[Potter Profile]
K insai Fujii
K insai Fujii's works are characterized by their luxurious f inish us ing the overglaze enamel (nishiki) technique. He utilize metallic hues such as gold and plat inum, as well as traditional Arita nishiki colors like red, green, and purple, showcas ing strong individuality in their creations
K insai Fujii's career is as follows :
Born in 1976 in Arita, Saga Prefecture, Japan.
Entered the wheel-throw ing department at Saga Prefectural Arita Ceramic Technical School in 1991.
Studied under Liv ing National Treasures Manji inoue and Shigemasu Kajiwara in 1991.
Held the "K insai Fujii Exhibition" at Fukuoka Prefectural Museum of Art and Hita City Museum of Art in 2003.
Held the "K insai Fujii Exhibition" at Ehime Prefectural Museum of Art Branch in 2004.
Held numerous solo exhibitions at department stores and other venues nationwide s ince 1999.
[Ma in Awards]
Nagasaki Ceramics Exhibition, Asahi Shimbun Award
Kyushu-Yamaguchi Ceramics Exhibition, Selected
Workers' Art Exhibition, M inister of Labor Award
Asahi Ceramics Exhibition, Selected
Governor's Rotation, Saga Prefectural Governor's Award
Asia Craft Exhibition, Selected
And many others
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Import duties, taxes, and charges are not included in the item price or shipping cost. When a duty occurs, you are responsible for paying Customs Duties. |
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Source: www.exchange-rates.org
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 Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works. |
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