Incense burner Karakusa-Shishi | Fukuji Kitamura Traditional Craftsperson work [264009]
Incense burner Karakusa-Shishi | Fukuji Kitamura Traditional Craftsperson work
[264009]
Price: 110,000JPY
Weight: 700g
Low stock
[size]
Width: 12cm / Height: 14.5cm
Width: 4.7in / Height: 5.7in
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Lidded Tripod Incense Burner with Arabesque Motif by Fukushi Kitamura
This piece is the work of Fukushi Kitamura, a leading figure in the world of Arita ware. A master overglaze artisan, Kitamura has long embodied both the tradition and innovation of Arita porcelain. Though now retired from the forefront of his craft, his works continue to captivate and inspire with their timeless beauty, born of exceptional skill and a unique artistic sensibility.
This particular incense burner is a striking example of refined elegance, combining a sense of gravitas with vibrant ornamentation. The body is richly adorned with intricate arabesque patterns in deep indigo and gold over a verdant green base, creating an atmosphere of dignified sophistication. Atop the lid sits a guardian lion (shishi), a traditional symbol of protection and warding off evil, adding a bold and meaningful accent. The lid is also pierced with openwork, allowing the fragrance of incense to rise gently through the openings.
Blending classical design elements with a modern aesthetic, this piece can be enjoyed not only as a functional incense burner but also as a decorative art object that complements contemporary interiors.
[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman
A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture
An overglaze painter is the one who brings life to the pristine white surface of porcelain.
Using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.
Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze Painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward
Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.
Width: 12cm / Height: 14.5cm
Width: 4.7in / Height: 5.7in
-----------------------
Lidded Tripod Incense Burner with Arabesque Motif by Fukushi Kitamura
This piece is the work of Fukushi Kitamura, a leading figure in the world of Arita ware. A master overglaze artisan, Kitamura has long embodied both the tradition and innovation of Arita porcelain. Though now retired from the forefront of his craft, his works continue to captivate and inspire with their timeless beauty, born of exceptional skill and a unique artistic sensibility.
This particular incense burner is a striking example of refined elegance, combining a sense of gravitas with vibrant ornamentation. The body is richly adorned with intricate arabesque patterns in deep indigo and gold over a verdant green base, creating an atmosphere of dignified sophistication. Atop the lid sits a guardian lion (shishi), a traditional symbol of protection and warding off evil, adding a bold and meaningful accent. The lid is also pierced with openwork, allowing the fragrance of incense to rise gently through the openings.
Blending classical design elements with a modern aesthetic, this piece can be enjoyed not only as a functional incense burner but also as a decorative art object that complements contemporary interiors.
[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman
A recognized master of overglaze painting in porcelain
Now retired at over 90 years old; resides in Arita, Saga Prefecture
An overglaze painter is the one who brings life to the pristine white surface of porcelain.
Using a single brush, the artisan breathes color into the vessel, transforming it from mere pottery into a vivid, living work of art. With intricate composition, unwavering brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcelain to the realm of fine art.
His mastery shines through in every piece and leaves a lasting impression across time.
Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appointed Chairman of the Saga Prefecture Overglaze Painting Cooperative in 1991
Held solo exhibitions in Ginza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward
Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consisting of a total of 55 pieces.
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Import duties, taxes, and charges are not included in the item price or shipping cost. When a duty occurs, you are responsible for paying Customs Duties. |
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 Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works. |
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