Vase Gourd Shape Seasonal Flowers and Children | Fukuji Kitamura Traditional Craftsperson work [264008]
Vase Gourd Shape Seasonal Flowers and Children | Fukuji Kitamura Traditional Craftsperson work
[264008]
Price: 110,000JPY
Weight: 2000g
Low stock
[size]
Width: 11.5 cm / Height: 23 cm
Width: 4.5 in / Height: 9.1 in
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This piece is a creation by Fukuji Kitamura, one of the foremost figures in the world of Arita ware decorative arts.
Mr. Kitamura is a certified traditional overglaze pa int ing artisan who has long embodied both the heritage and innovation of Arita ware. Though now retired from active production, his works cont inue to fasc inate many collectors and admirers. Each piece, shaped by his masterful skill and unique artistic vision, stands as a timeless gem of ceramic beauty.
This particular work is a porcela in vase in the shape of a *hyotan* (gourd), entirely enveloped in intricate *akae* (red overglaze) patterns, with white-reserved "w indows" that feature scenes of seasonal flowers and playful children. The design includes motifs such as peonies, morn ing glories, autumn leaves, and plum blossoms represent ing spr ing, summer, autumn, and w inter respectively each accompanied by charm ing depictions of children that together tell a gentle story across the surface. The four scenes circle the vase, allow ing the viewer to enjoy the shift ing seasons from every angle.
The *hyotan* has long been considered an auspicious symbol in Japan, represent ing good health and prosperity. This piece, with its elegant proportions (approximately 23 cm in height), vibrant *akae* decoration, and f inely detailed pa int ing, is both easy to display and rich in presence mak ing it a popular choice for decorative use or as a mean ingful gift.
[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman
A recognized master of overglaze pa int ing in porcela in
Now retired at over 90 years old; resides in Arita, Saga Prefecture
An overglaze pa inter is the one who br ings life to the prist ine white surface of porcela in.
Us ing a s ingle brush, the artisan breathes color into the vessel, transform ing it from mere pottery into a vivid, liv ing work of art. With intricate composition, unwaver ing brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcela in to the realm of f ine art.
His mastery sh ines through in every piece and leaves a last ing impression across time.
Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appo inted Chairman of the Saga Prefecture Overglaze Pa int ing Cooperative in 1991
Held solo exhibitions in G inza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward
Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consist ing of a total of 55 pieces.
Width: 11.5 cm / Height: 23 cm
Width: 4.5 in / Height: 9.1 in
-----------------------
This piece is a creation by Fukuji Kitamura, one of the foremost figures in the world of Arita ware decorative arts.
Mr. Kitamura is a certified traditional overglaze pa int ing artisan who has long embodied both the heritage and innovation of Arita ware. Though now retired from active production, his works cont inue to fasc inate many collectors and admirers. Each piece, shaped by his masterful skill and unique artistic vision, stands as a timeless gem of ceramic beauty.
This particular work is a porcela in vase in the shape of a *hyotan* (gourd), entirely enveloped in intricate *akae* (red overglaze) patterns, with white-reserved "w indows" that feature scenes of seasonal flowers and playful children. The design includes motifs such as peonies, morn ing glories, autumn leaves, and plum blossoms represent ing spr ing, summer, autumn, and w inter respectively each accompanied by charm ing depictions of children that together tell a gentle story across the surface. The four scenes circle the vase, allow ing the viewer to enjoy the shift ing seasons from every angle.
The *hyotan* has long been considered an auspicious symbol in Japan, represent ing good health and prosperity. This piece, with its elegant proportions (approximately 23 cm in height), vibrant *akae* decoration, and f inely detailed pa int ing, is both easy to display and rich in presence mak ing it a popular choice for decorative use or as a mean ingful gift.
[Potter Profile]
Fukuji Kitamura
Designated Traditional Craftsman
A recognized master of overglaze pa int ing in porcela in
Now retired at over 90 years old; resides in Arita, Saga Prefecture
An overglaze pa inter is the one who br ings life to the prist ine white surface of porcela in.
Us ing a s ingle brush, the artisan breathes color into the vessel, transform ing it from mere pottery into a vivid, liv ing work of art. With intricate composition, unwaver ing brushstrokes, and a sensitivity embedded in each hue, Kitamura’s artistry elevates porcela in to the realm of f ine art.
His mastery sh ines through in every piece and leaves a last ing impression across time.
Born in Arita, Saga Prefecture in 1932
Entered the field of ceramics after World War II
Founded the Kitamura Overglaze Studio at the age of 30
Certified as a Traditional Craftsman of Arita Ware in 1990
Appo inted Chairman of the Saga Prefecture Overglaze Pa int ing Cooperative in 1991
Held solo exhibitions in G inza (Tokyo) and throughout Fukuoka Prefecture from the 1990s onward
Among his most representative works is the grand series of decorative plates themed on the "Fifty-three Stations of the Tokaido," consist ing of a total of 55 pieces.
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Import duties, taxes, and charges are not included in the item price or shipping cost. When a duty occurs, you are responsible for paying Customs Duties. |
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 Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works. |
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