Coffee Cup and Saucer Oboro-sakura | Kusuo Baba's work in Shinemon Kiln [146179]

Coffee Cup and Saucer Oboro-sakura | Kusuo Baba's work in Shinemon Kiln [146179]

Price: 33,000JPY

Weight: 550g

Low stock
Quantity:
[Cup size]
Length: 10.8cm / Width: 8.5cm / Height: 7.4cm
Length: 4.3in / Width: 3.3in / Height: 2.9in

[Saucer size]
Width: 15.3cm
Width: 6in

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This coffee cup and saucer set is the work of Ky?suo Baba, second-generation master of the Shinemon Kiln?one of the most esteemed kilns representing Arita ware.

The piece is glazed with *Oborozakura* (“Hazy Cherry Blossoms”), a poetic and refined glaze that captures the fleeting beauty of cherry blossoms and preserves their memory in shimmering crystalline form. Delicate and ethereal, it reflects the essence of spring’s gentle transience.

The Shinemon Kiln is renowned for its mastery of the *Y?hen* technique, in which glazes undergo natural transformations in the kiln?revealing unexpected patterns, colors, and textures that embody the mystery and elegance of nature. The *Oborozakura* glaze was born from a miraculous intersection of flame, time-honored technique, and a craftsman’s momentary intuition. Its soft, pale hue changes with the angle of light, much like cherry blossoms blooming in a dreamlike spring night.

When filled with the deep hue of coffee, the pale pink crystalline patterns seem to float like *hanaikada*?petal rafts drifting across water?creating a scene of quiet enchantment. This piece is meant to engage all five senses: admire its beauty with your eyes, feel its texture with your hands, and let the taste of your coffee complete the experience. *Oborozakura* offers a moment of calm and contentment, reminding us that life is enriched through the accumulation of such quiet, soul-filling moments.

Crafted by an artist who draws out the expressive potential of glaze with great sensitivity, this coffee cup and saucer reveals a new landscape with every use. Take your time and enjoy the ever-changing expression of this piece as you sip your coffee?a vessel that transforms every moment into something truly special.


[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research Institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, continuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo Nozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

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Japanese Pottery shop in Tokyo (Aritayaki Yakimono Ichib)
[Address] 1-4-9 Hiroo Shibuya-ku Tokyo
[Nearest station] Ebisu station (JR Yamanote-line / HIBIYA subway-line)
[Access] 7 minutes' walk from the Ebisu station
[Tell] 03-5422-7271
[Business hours] 10:00 - 19:00
[Regular holiday] 2nd , 4th , 5th Sunday CLOSE (1st , 3rd Sunday OPEN)

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Notice of Business Holiday (July 2025)
27th July Sunday Closed
We will be open on Sunday, July 13.
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Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works.
Sometsuke   Hakuji   Akae
   
Sometsuke wares are made by drawing patterns with a blue pigment called GOSU, applying glaze over the surface, and firing the porcelain.   Hakuji wares are mede by applying transparent glaze over a white surface and firing the porcelain.   Akae, or Iroe, wares are painted in many colors, including red, the predominant color, green, yellow, and cobalt blue.
         
   
Izumiyama Quarry in Arita   A porcelain statue in TOUZAN shrine   Beautiful landscape in Arita
         
   
There are many chimneys of factories   daily use   art object