Vase Kinka-mon | Shinemon Kiln work [146189]
Vase Kinka-mon | Shinemon Kiln work
[146189]
Price: 66,000JPY
Weight: 2000g
Sold out
[size]
Width: 14.8 cm / Height: 18 cm
Width: 5.8 in / Height: 7 in
-----------------------
This is a work from Shinemon Kiln, one of the representative kilns of Arita ware.
It is a vase adorned with the beautiful crystalline patterns of k inhana (golden flowers), evoking the image of golden blossoms in bloom.
Shinemon Kiln is renowned as a leading master of the yohen technique, which requires exceptional skill in manipulating glazes. Yohen refers to the phenomenon in the kiln where the glaze’s colors and patterns transform unpredictably, revealing a sense of natural beauty and mystery.
The glaze used for this piece is called kinhana-mon (gold-flower pattern). It is created by Blending various metals into the glaze and firing it so that golden-brown speckles appear on the surface. The result resembles radiant golden flowers blossom ing across the vessel. Elegant and refined, kinhana-mon imparts an atmosphere of dignity and sophistication, making this vase a truly graceful work of art.
[About the Kiln | Shinemon Kiln]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association
I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.
[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.
[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."
Width: 14.8 cm / Height: 18 cm
Width: 5.8 in / Height: 7 in
-----------------------
This is a work from Shinemon Kiln, one of the representative kilns of Arita ware.
It is a vase adorned with the beautiful crystalline patterns of k inhana (golden flowers), evoking the image of golden blossoms in bloom.
Shinemon Kiln is renowned as a leading master of the yohen technique, which requires exceptional skill in manipulating glazes. Yohen refers to the phenomenon in the kiln where the glaze’s colors and patterns transform unpredictably, revealing a sense of natural beauty and mystery.
The glaze used for this piece is called kinhana-mon (gold-flower pattern). It is created by Blending various metals into the glaze and firing it so that golden-brown speckles appear on the surface. The result resembles radiant golden flowers blossom ing across the vessel. Elegant and refined, kinhana-mon imparts an atmosphere of dignity and sophistication, making this vase a truly graceful work of art.
[About the Kiln | Shinemon Kiln]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association
I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.
[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, cont inuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo N fl ozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.
[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."
 |
Import duties, taxes, and charges are not included in the item price or shipping cost. When a duty occurs, you are responsible for paying Customs Duties. |
 |
 |
Source: www.exchange-rates.org
 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
 Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
