Coffee Cup and Saucer Seiin | Kusuo Baba's work in Shinemon Kiln [146194]

Coffee Cup and Saucer Seiin | Kusuo Baba's work in Shinemon Kiln [146194]

Price: 33,000JPY

Weight: 550g

Low stock
Quantity:
[Cup size]
Length: 10.8cm / Width: 8.5cm / Height: 7.4cm
Length: 4.3in / Width: 3.3in / Height: 2.9in

[Saucer size]
Width: 15.3cm
Width: 6in

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This coffee cup and saucer set is a work by Ky?suo Baba, the second-generation head of the Shinemon Kiln?one of the most esteemed kilns representing Arita ware.
The glaze used is titled *Sei-in* (“Blue Resonance”), evoking the imagery of a silent universe held in the palm of your hand. It expresses a one-of-a-kind coffee experience through the depth and tranquility of blue.

The Shinemon Kiln is known as a leading authority in the *Y?hen* technique, in which glazes undergo spontaneous transformation during firing. This natural phenomenon reveals the beauty and mystery created by fire, heat, humidity, and countless other variables. The *Sei-in* glaze is a product of such miraculous interplay?featuring a deep, clear blue that only emerges in fleeting, perfect conditions.

Is it the color of the sky just before dawn? Or the silence of the deep sea? Cobalt blue flows over a jet-black base of *tenmoku* glaze, creating a landscape that is never the same twice. This ethereal blue scene is the crystallization of *ichigo ichie*?a once-in-a-lifetime encounter?achieved by Ky?suo Baba, a Nitten-exhibiting artist who elevates chance into art through his dialogue with clay, glaze, and flame. Let your eyes rest on the serene blue tones captured in *Sei-in* and sense the quiet resonance it carries.

Crafted by a master who skillfully draws out the full range of glaze expression, this refined coffee cup and saucer reveals new scenery each time it is held. More than just a vessel, it transforms your coffee moments into something deeply special. Savor the evolving expressions of the piece as you enjoy your drink.


[Potter Profile]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research Institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, continuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo Nozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."

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Japanese Pottery shop in Tokyo (Aritayaki Yakimono Ichib)
[Address] 1-4-9 Hiroo Shibuya-ku Tokyo
[Nearest station] Ebisu station (JR Yamanote-line / HIBIYA subway-line)
[Access] 7 minutes' walk from the Ebisu station
[Tell] 03-5422-7271
[Business hours] 10:00 - 19:00
[Regular holiday] 2nd , 4th , 5th Sunday CLOSE (1st , 3rd Sunday OPEN)

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Notice of Business Holiday (July 2025)
27th July Sunday Closed
We will be open on Sunday, July 13.
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Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works.
Sometsuke   Hakuji   Akae
   
Sometsuke wares are made by drawing patterns with a blue pigment called GOSU, applying glaze over the surface, and firing the porcelain.   Hakuji wares are mede by applying transparent glaze over a white surface and firing the porcelain.   Akae, or Iroe, wares are painted in many colors, including red, the predominant color, green, yellow, and cobalt blue.
         
   
Izumiyama Quarry in Arita   A porcelain statue in TOUZAN shrine   Beautiful landscape in Arita
         
   
There are many chimneys of factories   daily use   art object