Vase Kinka-mon | Shinemon Kiln work [146189]

[size]
Width: 14.8cm / Height: 18cm
Width: 5.8in / Height: 7in

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This work is by Shinemon Kiln, one of the most prominent kilns representing Arita ware.

The vase features a stunning golden crystal glaze known as *kinka-mon*, resembling delicate golden flowers blooming on its surface.

Shinemon Kiln is renowned as a master of the *y?hen* technique?a method that manipulates glaze transformations inside the kiln. *Y?hen* refers to the natural, often unpredictable changes in color and pattern that occur during firing, producing effects that evoke the beauty and mystery of nature itself.

The glaze used in this piece, called *kinka-mon* ("golden flower pattern"), is created by mixing various metals into the glaze. During firing, these materials react to form shimmering golden-brown crystals across the surface, resulting in a finish that looks like blossoms of gold. The elegant and refined appearance of this glaze imbues the vase with a noble and graceful presence.

It is a work that captures both technical mastery and poetic beauty?an exquisite example of contemporary Arita artistry.


[About the Kiln | Shinemon Kiln]
Kusuo Baba
(The second-generation head of the Shinemon Kiln)
Member of Nitten / Councilor of the Japan Contemporary Arts and Crafts Association / Vice President of the Saga Prefecture Ceramic Association / Director of the Saga Art Association

I create works that inherit the tradition of Arita ware while aligning with contemporary sensibilities. I specialize in the Yohen technique, which skillfully manipulates glazes, adding an element of serendipity to each piece as it reaches completion, thereby expressing a mystical beauty.

[Kusuo Baba's career is as follows ]
Born in 1952
1976: Joined the Saga Prefecture Ceramic Research Institute, where he learned the basics of ceramics and began researching glazes.
1980: Joined Maemon Kiln and began creating pottery, continuing his research on glazes to this day.
1981: Received strong guidance from Ryuzan Aoki, a recipient of the Order of Culture.
1997: Selected for the Nitten exhibition for "Kyoku Ei." Subsequently, he has been selected 20 times.
2004: Exhibited "Haruka wo Nozomu" and "Umibe no Uta" at the Arita Pottery Exhibition in Germany.
2010: Held the "Encountering Colors at Ogurayama" exhibition at Jojakkoji Temple in Kyoto.
2014: Appointed as a judge for the 53rd Contemporary Arts and Crafts Exhibition.
2021: Elected as a councilor of the Japan Contemporary Arts and Crafts Association.

[Main Awards]
1997: Selected for the Nitten exhibition for "Kyoku Ei."
2000: Awarded the Grand Prize and the 50th Anniversary Special Prize at the Saga Prefecture Exhibition for "Haruka na Sazanami."
2003: Received the Ryuzan Aoki Prize at the 100th Anniversary Kyushu Yamaguchi Ceramic Exhibition for "Umibe no Uta."
2005: Received the Contemporary Craft Award at the Contemporary Craft Exhibition for "Reimei-05."
2008: Received the Contemporary Craft Full Member Award at the Contemporary Craft Exhibition for "Kyoku-08(1)."
2011: Received the Director's Award at the 50th Anniversary Japan Contemporary Arts and Crafts Exhibition for "Sazanami no Uta."
2012: Won the Special Prize at the Nitten exhibition for "Haruka na Mine."
2012: Received the Grand Prize and the Ryuzan Aoki Prize at the Contemporary Crafts Kyushu Exhibition for "Sankei."